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Venue: Teatro La Fenice, Venice

Fact file
Google maps45° 26' 0.763" N 12° 20' 0.812" E
January 2020
Evening performance
Matinee performance
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VeniceA Hand of Bridge/ Bluebeard's Castle

Barber, Bartók
Diego Matheuz; Fabio Ceresa; Teatro La Fenice; Massimo Checchetto; Giuseppe Palella; Manuela Custer; Gidon Saks


Pärt: Duse
John Neumeier; Hamburg Ballet; Luciano Di Martino

VeniceL'elisir d'amore

Donizetti: L'elisir d'amore
Jader Bignamini; Bepi Morassi; Teatro La Fenice; Gianmaurizio Fercioni; Celso Albelo; Damiana Mizzi


Bizet: Carmen
Myung-whun Chung; Calixto Bieito; Teatro La Fenice; Alfons Flores; Mercè Paloma; Varduhi Abrahamyan; Marina Comparato


Verdi: Rigoletto
Daniele Callegari; Damiano Michieletto; Teatro La Fenice; Luca Salsi; Claudia Pavone; Iván Ayón Rivas; Gianfranco Montresor


Gounod: Faust
Frédéric Chaslin; Joan Anton Rechi; Teatro La Fenice; Antonio Poli; Carmela Remigio; Alex Esposito; Armando Noguera


Handel: Rinaldo
Andrea Marcon; Pier Luigi Pizzi; Teatro La Fenice; Teresa Iervolino; Leonardo Cortellazzi

VeniceRoberto Devereux

Donizetti: Roberto Devereux
Riccardo Frizza; Alfonso Antoniozzi; Teatro La Fenice; Monica Manganelli; Gianluca Falaschi; Enea Scala; Roberta Mantegna
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Beware Posa! A black, bleak Don Carlo opens season at La Fenice

Alex Esposito (Filippo II) © Michele Crosera
Maestro Myung-Whun Chung leads an almost all-Italian cast in an impressive performance of Verdi’s most ambiguous masterpiece.
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A second chance for a teenager Mozart in Venice

Il re pastore at the Teatro La Fenice in Venice © Michele Crosera
Il re pastore seems to be a work that deserves to be included in the repertoire for its undoubted qualities and not only because it foreshadows the genius of the works that will follow.
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A psychological Macbeth at La Fenice

Vittoria Yeo (Lady Macbeth) and Luca Salsi (Macbeth) © Michele Crosera
This is one of Michieletto's simplest stagings yet, the imagery used to a minimum to allow for focus on the psychological core.
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A regal, integral version of Semiramide in Venice

Alex Esposito (Assur) and Jessica Pratt (Semiramide) © Michele Crosera
La Fenice presents Rossini’s monumental farewell to Italy and to 18th-century tradition in Ligorio’s elegant new production with a superb cast.
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La Fenice's superb new Widow is always Merry, even without sequins and ostrich feathers

Christoph Pohl (Count Danilo) © Michele Crosera
Damiano Michieletto's new production in Venice sets the operetta in the 1950s. 
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Verdi at full throttle: Attila returns to La Fenice

Roberto Tagliavini (Attila) and Vittoria Yeo (Odabella) © Michele Crosera
A zinging account of Verdi's score, making up for Daniele Abbado's nondescript production. 
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Filippo Perocco's Aquagranda at La Fenice

Aquagranda at La Fenice © Michele Crosera
Fifty years ago, on 4 November 1966, Venice was struck by a terrible flood. Now this is the subject of a new opera by composeer Filippo Perocco premiered at the Teatro La Fenice.
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Tate's masterful conducting of Idomeneo

Promising young South-African director Alessandro Talevi opened the new season at the Teatro La Fenice with a new mis-en-scene of Mozart's Idomeneo.
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