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Work: 33 variations for piano in C major 'Diabelli Variations', Op.120

Fact file
ComposerBeethoven, Ludwig van (1770-1827)
PeriodRomantic
Work typeInstrumental
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IstanbulPiotr Anderszewski: “Diabelli Variations”

Piotr Anderszewski: “Diabelli Variations”
Beethoven: 33 variations for piano in C major 'Diabelli Variations', Op.120
Piotr Anderszewski, Piano

Saffron WaldenPaul Lewis

Paul Lewis
Haydn, Beethoven, Brahms
Paul Lewis, Piano

LondonPaul Lewis: Haydn, Brahms & Beethoven

© Harmonia Mundi
Haydn, Brahms, Beethoven
Paul Lewis, Piano

BerlinMitsuko Uchida

© Geoffroy Schied
Mozart, Beethoven
Dame Mitsuko Uchida, Piano

New York CityMitsuko Uchida, Piano

Beethoven: 33 variations for piano in C major 'Diabelli Variations', Op.120
Dame Mitsuko Uchida, Piano
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Arresting Diabelli Variations in Birmingham

Dame Mitsuko Uchida © Jean Radel
In a wonderful piano recital, Mitsuko Uchida presented Schubert’s Four Impromptus and Beethoven’s Diabelli Variations.
*****
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Ambiguous Schubert and humane Beethoven from Mitsuko Uchida

In her annual appearance at Carnegie Hall, Mitsuko Uchida plays Schubert's G Major sonata and Beethoven's Diabelli Variations.
*****
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Michael Houstoun impresses in Beethoven's Diabelli Variations

This concert was prefaced by a short film of Michael Houstoun speaking about Beethoven and his experiences with the composer’s music. He movingly recounted his first encounter with Beethoven, the Appassionata Sonata recorded by Arthur Rubinstein, and how it first inspired a lifelong love and affinity.
****1
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Andreas Staier reinvents the Diabelli Variations

The story of Beethoven's Diabelli Variations is well known. The composer and publisher Anton Diabelli wanted to promote his new firm, and chose to do so by inviting fifty composers of varying fame to write a variation on his own waltz theme. Beethoven was, of course, the dominant figure in Vienna at the end of the 1810s, and his variation was to be the highlight.
****1
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Schoenberg before Beethoven: Peter Serkin in Vienna

Peter Serkin is a pianist of Brendelian demeanour whose interpretations of the classics are full of striking rhetorical contrasts: controlled but unpredictable dynamic extremes, always urgent and occasionally strident rhythmic expression, and a keyboard manner which is aloof one minute, playful the next.
***11
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