Top works
Concerto Grosso in D minor "La Follia", Op.5 no.12Goldberg Variations, BWV988Mass in B minor, BWV232MessiahOedipus: Music for a While, Z 583 no.2Partita no. 6 in E minor, BWV830Sonata in G minor "The Devil's Trill" for violin and string ensembleSt John Passion, BWV245St Matthew Passion, BWV244The Four Seasons (Il cimento dell'armonia e dell'inventione), Op.8 no. 1-4See all...Upcoming eventsSee more...
CambridgeGambarini: English Impresaria
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Gambarini, Handel, Geminiani
Academy of Ancient Music; Bojan Čičić; Mhairi Lawson
The HagueVivaldi - The Four Seasons
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Vivaldi, Locatelli, Bartók
Amsterdam Sinfonietta; Candida Thompson
LondonPurcell’s Playground - Barokksolistene & Rowan Pierce
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Purcell
Bjarte Eike; Barokksolistene; Rowan Pierce
BarcelonaAina Font & Laura Rouy
Casals, Obradors, Michat, Takemitsu, Debussy, Marais
Aina Font; Laura Rouy
ParisECHO Rising Stars / Valerie Fritz
Zwerger, Aperghis, Bach, Walshe, Steen-Andersen, Britten, Crumb, Eötvös, von Schweden, Beil
Valerie Fritz, Cello
Latest reviewsSee more...
A new light on Mendelssohn at the Glasshouse
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Nil Venditti arrives like a small, joyful bomb at The Glasshouse and lights up a familiar Mendelssohn symphony with new insights.
Luigi Rossi's Orfeo makes it a hat trick for Pygmalion in Adelaide
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A wonderful performance of a hitherto little known 17th-century version of the Orpheus legend is performed by Raphaël Pichon and Pygmalion at the Adelaide Festival.
Good Night World: Pygmalion opens the Adelaide Festival in style
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The French ensemble Pygmalion enraptures the audience at the first night of the Adelaide Festival with a concert of music by JS Bach and his predecessors.
Marianne Crebassa wears the trousers at Wigmore Hall
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Trouser – and toga – roles abound at Wigmore Hall as French mezzo-soprano Marianne Crebassa debuts with The Mozartists in arias from four key Mozart roles.
A brilliant UK premiere of John Adams’ After the Fall
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The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.
Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success
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All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.
Bach and Gluck resound in Bath Abbey with The Sixteen
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Large ecclesiastical buildings, with their hard surfaces and long high naves, are challenging for complex music like Bach’s.
Baroque inspirations from Emelyanychev and the SCO
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Maxim Emelyanychev and the Scottish Chamber Orchestra offer a Baroque-inspired programme of Bach, Handel, Britten, a modern take on Scarlatti and wonderfully zany Schnittke.