During October, we focus on the here and now, with contemporary music and dance featured in a number of articles. We have spoken to a number of composers and choreographers about their work accross various mediums, and their collaborations with other contemporary artists.
Sadler's Wells presents See the Music, Hear the Dance, an evening dedicated to the music of Thomas Adès, who will himself conduct the Britten Sinfonia through works by Karole Armitage, Wayne McGregor (revivals), Crystal Pite and Alexander Whitley (world premières).
As part of our Contemporary focus, I spoke to Swedish filmmaker, choreographer and dancer Pontus Lidberg, about his musical choices and his collaborations with contemporary composers. An intimate conversation with a leading voice in contemporary dance.
Jasmin Vardimon talks to Bachtrack's Dance Editor about her new production of PARK, which tours the UK this Autumn. She also opens up about her vsion for dance, the power of performance, and the exciting developments of her new home in Ashford
Ben Shephard’s A War of Nerves provide the inspiration behind Sally Beamish’s new choral work Equal Voices which receives its première on Sunday 2 November; his words feature heavily in Sir Andrew Motion’s “found poem”, recounting the horrors of the Great War, which Beamish has juxtaposed with passages from the Old Testament’s Song of Songs
new music in new places
“Singers wound their way through the frozen food aisle, followed by musicians trying not to let their instruments topple over any produce.” The performance raised many questions pertaining to place and how composers and performers incorporate the idea of space or venue into their work.
In the first of a four-part series, Peter Reynolds looks at different strands in contemporary music with a focus on composers in the immediate here and now. This week he writes about five composers now in their 30s and 40s, all writing very different kinds of music.
As part of Bachtrack’s Contemporary Music Month, Rebecca Lentjes writes about the vibrant world of sound installations and immmersive musical experiences in New York City.
Part of Bachtrack’s Contemporary Music Month, Paul Kilbey takes a look at concert programming of 20th- and 21st-century music in several venues around the world.
As part of Bachtrack’s Contemporary Music Month, Meg Wilhoite takes a look at the question of gender equality in the world of new music, in light of the recent debate sparked by conductor Vasily Petrenko.
Upcoming eventsSee more...
Schnittke, Suben, Beethoven, Schubert
New York Philharmonic Ensembles
Bach, Beneking, Mendelssohn, Bartók, De Cock, Liszt, Tchaikovsky, Stocken
Johan De Cock, Piano
Symphony Orchestra of Milan Giuseppe Verdi; Wayne Marshall; Claudio Bettinelli; Roberto Cominati
Duchnowski, Lutosławski, Boccherini, Panufnik, Górecki, Twardowski, Bagiński
Warsaw Philharmonic Chamber Orchestra; Jakub Chrenowicz; Dorota Szczepańska; Chiara Enderle; Jan Lewtak
Bach, Adams, Nordheim, Vivaldi, Nelson, Piazzolla, Gaga
Martynas Levickis; Manchester Camerata
Williams, Traditional, Warren, Handel, Sondheim, Mancini, Bizet
GMT Brass Ensemble
Latest reviewsSee more...
The view of Jesus as the archetypal left wing radical, champion of the poor and dispossessed and scourge of the wealthy forms the foundation of John Adams and Peter Sellars’ oratorio The Gospel According To The Other Mary. A strong score and outstanding conductor and singers make for an impressive première.
Brett Dean's The Annunciation offers a Moderninst take on Christmas traditions. Curiosities from Respighi and Strauss complete an eccentric programme.
In an innovative concert experience, John Adams curated a night of living composers to shine the spotlight on his favorite new works, answering the question: “Who’s on John Adams’ playlist?”
Jean-Efflam Bavouzet impresses in Gallic repertoire, but his Beethoven took longer to win our reviewer around.
RepertorioZero's account of Professor Bad Trip has the audience exploring new, unseen worlds.
Viele Fragen warf diese Eröffnungsveranstaltung auf, gab Denkanstöße und eröffnete neue Sichtweisen auf das Konzept Musik.
The Aurora orchestra chose one of the most eclectic mixes of music that St George’s has seen in a classic music concert inspired by the home, opening the eyes of Bristol to a strange variety of pieces.