Muziekgebouw aan’t IJ: Main HallPiet Heinkade 1, Ámsterdam, North Holland, 1019 BR, Países Bajos
Fechas/horas en zona horaria de Amsterdam
| sábado 07 febrero 2026 | 20:15 |
Programa
| Debussy, Claude (1862-1918) | Étude no. 1, pour les cinq doigts d'après Monsieur Czerny | |
| Debussy, Claude (1862-1918) | Etude no. 11 pour les arpèges composés | |
| Ligeti, György (1923-2006) | Étude no. 5 "Arc-en-ciel" | |
| Ligeti, György (1923-2006) | Etude no. 8 "Fém" | |
| Kerkelov, Peter | Evening from Anthems of day and night | |
| Lunyov, Svyatoslav (n. 1964) | Etudes: Adieu | |
| Liszt, Franz (1811-1886) | 2 Konzertetüden: Waldesrauschen (forest murmurs), S 145 no. 1 | |
| Liszt, Franz (1811-1886) | Transcendental Études, S 139: no. 12 Chasse neige | |
| Chopin, Fryderyk Franciszek (1810-1849) | Estudio en mi mayor "Tristesse”, op. 10 núm. 3 | |
| Chopin, Fryderyk Franciszek (1810-1849) | Étude in C minor “Revolutionary”, Op.10 no.12 | |
| Shalygin, Maxim (n. 1985) | Fetus Etudes | |
Although originally intended as mere technical exercises, Antonii Baryshevskyi shows the breathtaking beauty of etudes. Chopin, Liszt and Debussy reimagined etudes as virtuoso concert pieces, and Baryshevskyi combines them with contemporary pieces by Svyatoslav Lunyov and Maxim Shalygin. And then it becomes clear that an etude is more than just a technical exercise; it can also be subdued and vulnerable.
The raw simplicity of Shalygin’s Fetus Etudes, at times poignant and painful, goes straight to the heart. Sharing their Ukrainian heritage and a passion for music, Shalygin and Baryshevskyi bring out the best in each other. Since fleeing his homeland, Baryshevskyi has become an ambassador for Ukrainian music on the world stage.
Tickets
€ 12,50–€ 39,00