| Boito, Arrigo (1842-1918) | Mefistofele |
| Hungarian State Opera | |||
| Antonello Allemandi | Dirección | ||
| Balázs Kovalik | Dirección de escena | ||
| Csaba Antal | Diseño de escena | ||
| Mari Benedek | Diseño de vestuario | ||
| Hungarian State Opera Orchestra | |||
| Hungarian State Opera Chorus | |||
| Marianna Venekei | Coreografía | ||
| Gábor Csiki | Dirección de coro | ||
| Hungarian State Opera Children's Chorus | |||
| Nikolett Hajzer | Dirección de coro | ||
| Erwin Schrott | Bajo-barítono | Mefistofele | 2022 abr 03, 06, 21, 28, 30 |
| Rubén Amoretti | Bajo | Mefistofele | 2022 abr 10 Matiné |
| Sung Kyu Park | Tenor | Faust | 2022 abr 03, 06, 21, 28, 30 |
| Cosmin Ifrim | Tenor | Faust | 2022 abr 10 Matiné |
| Gabriella Létay Kiss | Soprano | Margherita, Elena | |
| Anna Csenge Fürjes | Mezzosoprano | Marta, Pantalis | |
| Gergely Boncsér | Tenor | Nereo, Wagner |
Opera in three parts, in Italian, with Hungarian and English surtitles
Arrigo Boito is one of the most unique figures in the history of music, not least of all because of his work as a poet: he is responsible for some of the finest librettos ever written for opera (including, for example, Otello). Smitten with Wagner and metaphysics, it's no surprise that he became enamoured with Goethe's Faust, in particularly with the figure of the devil. Mefistofele is his sole completed opera for which he also composed the music. Balázs Kovalik's thrilling production focuses on the mystery of the eternal duel between God against Satan, using powerful imagery to amplify Boito's own personalised poetic treatment of the subject.