It goes without saying that every performance of an opera is a feat of skill and talent. Yet there are times when the performance in question transcends the greatness that opera demands, and becomes an exercise in the sublime. Such was the case with Donizetti’s Maria Stuarda, in concert at the Deutsche Oper Berlin. Starring Joyce DiDonato in the title role, Carmen Giannattasio as her rival, Queen Elisabeth, and Joseph Calleja as the lovelorn Leicester, this performance was a privilege to witness.
Based on Schiller’s play of the same name, Donizetti’s Maria Stuarda tells the tale of a fatal, fictional meeting between two queens. Mary, Queen of Scots, fled to England for protection after being forced to abdicate the Scottish throne in favour of her son, James. Elizabeth, fearing Mary’s legitimate claim to the throne (the two were cousins) and her Roman Catholicism, immediately ordered her arrest. Mary was Elizabeth’s prisoner for 19 years.
The opera makes no mention of the Tudor court’s convoluted politics, nor the fact that Elizabeth had signed a decree that any attempt to rescue Mary would result in her cousin’s death. A mild allusion is made to the Babington Plot – a monstrously complicated affair that included a variety of noblemen, double agents and coded letters from Mary condoning Elizabeth’s assassination if it was what had to be done to get her out of England – but otherwise, the opera retreats to the same and secure realm of theatrical drama: the love triangle.
The fact that Maria Stuarda reduces two of history’s strongest women to fighting over a man is strange, but it does allow for one thing: a magnificent showdown between the two queens, who never actually met in life. If it takes a love triangle to make such a thing happen, then Schiller and Donizetti were willing to take that step. Indeed, Donizetti’s libretto, written by Giuseppe Bardari, strips down the action of Schiller’s play (which deals with the Babington Plot in whole) to the confrontation between the two queens, and its fallout. And what a confrontation!
Musically taut and yet luscious, Maria Stuarda is one of Donizetti’s most beautiful operas. The cast in concert at the Deutsche Oper gave it their all, and they transcended all expectations. Joyce DiDonato, as Maria, gave an Oscar-worthy performance of the queen, resisting all attempts to strip her of her dignity. She was at once sad, frightened, dignified, proud and, at the end, peaceful. Her singing was otherworldly, passionate in the extreme. From her first recit to her final farewell, DiDonato sang with an exquisite humanity, and acted the part of the put-upon queen in gorgeous creamy tones. Clad in a stunning black gown, as befitting Mary’s status as prisoner, DiDonato could have been wearing sackcloth and ashes and yet would have been nothing but a queen. From the moment that she called Elizabeth a “vile bastard”, she knew there would be no escape for her but the escape of death, and she met it with grace and dignity.