Stepping out of the auditorium after Victorian Opera's 2016 youth opera, I overheard an audience member's comment about having been liberated from the tyranny of plot. This neatly summarised a key aspect of the experience, as Gertrude Stein's libretto for Four Saints in Three Acts intentionally makes no sense; rather, it creates an intriguing cascade of sounds and ideas that neatly merge with Virgil Thomson's simple, folksy score. The cast enthusiastically embraced this hour-long nonsense opera, and sang very well considering nearly all were 15-25 years old.
Rarely performed – indeed this was the Australian premiere – Four Saints in Three Acts made its debut in New York in 1934. The characters are saints, both real, including Ignatius and Teresa, and imagined, such as St Answers and St Settlement. They number 20 rather than four (just as there are four acts, not three). Together with a chorus, the saints appear in vignettes set in environments loosely suggested by the libretto, including a cathedral and walled garden. The master and mistress of ceremonies, the compère and commère, sing Stein's stage directions; for this production, they were mostly located in public balconies either side of, and somewhat removed from, the stage.
The opera itself is surprising for those used to plot, well defined characters and grand themes, and the production pushes the envelope further with 3D imagery projected on a large screen behind the cast. Running throughout the performance, and viewed through 3D glasses provided, this digital imagery was produced by Deakin University's Motion.Lab under the direction of Professor Kim Vincs. Much more chunky than Hollywood's hyper-real animation, most likely due to budget constraints, it was nevertheless effective in conjuring Stein's suggested settings, added visual excitement to the otherwise very simple production design, and played with reality in a way that underscored the opera's surreal nature.
This scenic imagery quickly impressed during the prelude: a tree, shifting through seasonal attributes, tumbled through the sky, with clouds behind the cast and the tree, rather magically, appearing in front of them. Other highlights included a shoal of brightly coloured fish swimming in air, and a bird flying out of the screen (which startled some audience members).