Carnegie Hall: Weill Recital Hall57th Street and, 7th Ave, Nueva York, New York, 10019, Estados Unidos
Fechas/horas en zona horaria de New York
| martes 02 diciembre 2025 | 19:30 |
Programa
| Weill, Kurt (1900-1950) | Nannas Lied | |
| Weill, Kurt (1900-1950) | Lost in the Stars: Thousands of Miles | |
| Weill, Kurt (1900-1950) | Lost in the Stars: Big Mole | |
| Weill, Kurt (1900-1950) | Rise and Fall of the City of Mahagonny: Denn wie man sich bettet, so liegt man | |
| Korngold, Erich Wolfgang (1897-1957) | Schneeglöckchen, Op.9 no. 1 | |
| Zemlinsky, Alexander von (1871-1942) | Und hat der Tag all' seine Qual, Op.8 no.2 | |
| Weill, Kurt (1900-1950) | Buddy on the Nightshift | |
| Weill, Kurt (1900-1950) | Berlin im Licht | |
| Weill, Kurt (1900-1950) | One Touch of Venus: Don't Look Now | |
| Weill, Kurt (1900-1950) | J'ai peur de l'Automne (September Song) (arr. Baptiste Trotignon) | |
| Mahler, Alma (1879-1964) | Die stille Stadt | |
| Mahler, Alma (1879-1964) | Hymne | |
| Weill, Kurt (1900-1950) | Threepenny Opera: Barbarasong | |
| Weill, Kurt (1900-1950) | Threepenny Opera: Pirate Jenny | |
| Weill, Kurt (1900-1950) | Je ne t'aime pas | |
| Weill, Kurt (1900-1950) | Street Scene: Lonely House | |
| Weill, Kurt (1900-1950) | Street Scene: We'll Go Away Together | |
| Weill, Kurt (1900-1950) | Lost in the Stars: Trouble Man | |
| Zemlinsky, Alexander von (1871-1942) | Selige Stunde, Op.10 no. 2 | |
In the “unusually rewarding” (The Guardian) Thousands of Miles, versatile vocalist Kate Lindsey and jazz pianist Baptiste Trotignon perform a multilingual program that “goes far beyond a simple fusion of jazz and classical” (Crescendo). A survey of Weill’s works—both from his European years and after his forceable relocation to the United States—gets a welcome, extra emphasis on its jazz stylings, courtesy of Trotignon’s smart arrangements and improvisations, and Lindsey’s delivery that “has shades of Dietrich herself” (London’s The Times). The concert also features selections by Weill’s fellow émigrés Korngold, Alma Mahler, and Zemlinsky, which have the added benefit of “unleashing Lindsey’s full classical voice, and glorious it is, too” (The Guardian).
Tickets:
- Available August 11 at 11 AM
- Subscriber/Member Presale: August 4 at 11 AM