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Nueva YorkMark Morris Dance Group
Satie, Ives, Schumann
Mark Morris; Mark Morris Dance Group; Colin Fowler; Georgy Valtchev; American String Quartet
Nueva YorkJupiter Symphony Chamber Players: Marie Antoinette's Court
Hasse, Gluck, Haydn, Chevalier de Saint-George, Viotti, Mozart
Stefan Milenkovich; Unknown; Zsche Chuang Rimbo Wong; Christine Lamprea
Nueva YorkThe Magic Flute
Mozart: La flauta mágica (Die Zauberflöte)
Louis Langrée; Barrie Kosky; Komische Oper Berlin; Esther Bialas; Julien Behr; Aaron Blake
Últimas críticasVer más...
De la oscuridad a la luz y regreso
El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.
Reimagining the Goldbergs as an orchestral period piece
Bernard Labadie’s orchestration of the Goldberg Variations came to feel strikingly close to the Brandenburgs, which is to suggest a certain achievement on his part. The arrangement was altogether convincing as Bachmusik.
Perfectly secluded Goldbergs in the middle of Manhattan
Within the quietude, Pierre Hantaï played beautifully, blues and reds slowly drifting across the waves of wood behind him. It was dramatic yet subtle, occupying the eyes while the mind floated with Bach's variations.
Nézet-Séguin and Met Orchestra offer compelling Mahler and Bruckner
The Met Orchestra’s closing performance of the season saw Yannick Nézet-Séguin lead the ensemble in Mahler’s Rückert-Lieder with Elīna Garanča and an arresting Bruckner's Seventh Symphony.
