Yesterday was a good rainy night in, so we settled down to watch Verdi's La Forza del Destino on Met Player.
La Forza isn't performed all that often. Its page in our database shows just one production coming up next year, at the Vienna Staatsoper, compared to the usual wall-to-wall La Traviata and Rigoletto and several of lesser known works like Simon Boccanegra and Macbeth. I can't understand why: for my money, it's got the greatest opera overture ever written, packed with memorable themes that are then woven into the fabric of the music in the rest of the opera. It even has its place in popular culture, with one of the main themes having been used for the classic French movie Jean de Florette (improbably scored for chromatic harmonica and played by the incomparable Toots Thielemans) and thence finding its way into British beer commercials for Stella Artois. The plot is the usual Verdi mix: standard operatic melodrama to keep the censors happy coupled with some underlying hard edges for anywhere who cares to look a bit closer: in La Forza, these are about racism, family bigotry and superstition.
The performance on Met Player dates from 1984, conducted by a very young-looking James Levine. The first thing that's unmissable is Levine's energy - big hair, flailing arms and a death-defying tempo as he races through the overture. The TV direction and editing has been done by someone who knew the music very well: every cut is perfectly in place to the bit of the orchestra that you want to see for that particular moment in the music.