| Welsh National Opera | ||
| Tomáš Hanus | Direction | |
| John Copley | Mise en scène | |
| Deidre Clancy | Costumes | |
| Chorus of Welsh National Opera | ||
| Orchestra of Welsh National Opera | ||
| Sarah Crisp | Revival Director | |
| Mark Stone | Baryton | Gabriel von Eisenstein |
| Mary Elizabeth Williams | Soprano | Rosalinde |
| Emma Carrington | Contralto | Prinz Orlofsky |
| Shaun Dixon | Ténor | Alfred |
| Ben McAteer | Baryton | Dr Falke |
| Rhian Lois | Soprano | Adele |
| Angharad Morgan | Soprano | Ida |
| Joe Roche | Ténor | Dr Blind |
| Alan Opie | Baryton | Frank |
It takes a hard heart not to be swept along by Die Fledermaus. It might be nonsense but it’s wonderful, frothy, life-affirming nonsense. John Copley’s production is as opulent as a Viennese chocolate cake. It's chock-full of splendour, posh frocks and masks, and warm comedy.