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Carnegie Hall: Stern Auditorium/Perelman Stage57th Street and, 7th Ave, Nueva York, New York, 10019, Estados Unidos
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Programa
| Strauss, Richard (1864-1949) | Drei Lieder der Ophelia, Op.67 | |
| Brahms, Johannes (1833-1897) | Ophelia Lieder (Ophelia Songs) | |
| Schönberg, Arnold (1874-1951) | Verklärte Nacht (Noche transfigurada), Op.4 | |
| Wagner, Richard (1813-1883) | Wesendonck Lieder: Im Treibhaus | |
| Wagner, Richard (1813-1883) | Wesendonck Lieder: Träume | |
| Brahms, Johannes (1833-1897) | 6 Pieces for Piano: Intermezzo in A minor, Op.118 no.1 | |
| Brahms, Johannes (1833-1897) | 6 Pieces for Piano: Intermezzo in A major, Op.118 no.2 | |
| Weigl, Karl (1881-1949) | 5 Songs for soprano and string quartet, Op.40 ("Trost" and "Regenlied") | |
| Wellesz, Egon (1885-1974) | Sonnette der Elisabeth Barrett-Browning, Op.52b (no.5, "Mir scheint, das Angesicht der Welt verging") | |
| Webern, Anton (1883-1945) | 3 Pieces for string quartet (and soprano) | |
| Zeisl, Erich (1905-1959) | Mondbild: no. 1, Der Mond steht da | |
| Zeisl, Erich (1905-1959) | Komm süsser Tod | |
| Schönberg, Arnold (1874-1951) | Brettl-Lieder (Cabaret Songs) ("Galathea" and "Gigerlette") | |
The finale of Renée Fleming's Perspectives series, Vienna: Window to Modernity is a thoughtful tribute to the time and place where the European musical tradition, under the influence of literary and visual arts, gave way to the 20th century.