Vienna: Window to Modernity

Este programa ha pasado

Carnegie Hall: Stern Auditorium/Perelman Stage57th Street and, 7th Ave, Nueva York, New York, 10019, Estados Unidos

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Programa

Strauss, Richard (1864-1949)	Drei Lieder der Ophelia, Op.67
Brahms, Johannes (1833-1897)	Ophelia Lieder (Ophelia Songs)
Schönberg, Arnold (1874-1951)	Verklärte Nacht (Noche transfigurada), Op.4
Wagner, Richard (1813-1883)	Wesendonck Lieder: Im Treibhaus
Wagner, Richard (1813-1883)	Wesendonck Lieder: Träume
Brahms, Johannes (1833-1897)	6 Pieces for Piano: Intermezzo in A minor, Op.118 no.1
Brahms, Johannes (1833-1897)	6 Pieces for Piano: Intermezzo in A major, Op.118 no.2
Weigl, Karl (1881-1949)	5 Songs for soprano and string quartet, Op.40 ("Trost" and "Regenlied")
Wellesz, Egon (1885-1974)	Sonnette der Elisabeth Barrett-Browning, Op.52b (no.5, "Mir scheint, das Angesicht der Welt verging")
Webern, Anton (1883-1945)	3 Pieces for string quartet (and soprano)
Zeisl, Erich (1905-1959)	Mondbild: no. 1, Der Mond steht da
Zeisl, Erich (1905-1959)	Komm süsser Tod
Schönberg, Arnold (1874-1951)	Brettl-Lieder (Cabaret Songs) ("Galathea" and "Gigerlette")

Intérpretes

Renée Fleming	Soprano, Presentador
Jeremy Denk	Piano
Emerson String Quartet
Eugene Drucker	Violín
Philip Setzer	Violín
Lawrence Dutton	Viola
David Finckel	Violonchelo
Paul Neubauer	Viola
Colin Carr	Violonchelo

The finale of Renée Fleming's Perspectives series, Vienna: Window to Modernity is a thoughtful tribute to the time and place where the European musical tradition, under the influence of literary and visual arts, gave way to the 20th century.

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"I'm in love with Vienna": Renée Fleming and friends at Carnegie Hall

David Allen, 4th May

For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.

***11