The Royal Albert Hall is not the venue one typically expects for a recital of Baroque soprano arias. Nevertheless, its cavernous grandeur proved a rather unexpected fit for Anna Prohaska’s recital themed around two of the great classical queens, Dido and Cleopatra. Indeed, the political savvy, tumultuous affairs and tragic ends of the two women provided a wealth of inspiration for Baroque composers ranging from Handel and Purcell to Sartorio and Graupner.
Anna Prohaska must surely be one of the most compelling artists performing today, equally at home in Handel and Mozart as in Reimann and Rihm. Though her crystalline lyric coloratura soprano has never been large, the voice has acquired a new richness and depth – most notable was a surprisingly well-projected lower register. More importantly, Prohaska remains a masterful interpreter of text whether in English as Purcell’s Dido or Italian as Handel’s Cleopatra, not to mention Graupner’s Dido, who switches from German to Italian in the middle of the recitative. This same sense of narrative drama was reflected in the programme itself, with arias and instrumental works flowing into one another and effectively contrasting the musical and thematic elements of the programme. While Il giardino armonico under conductor (and sometimes recorder and flute soloist!) Giovanni Antonini offered their customary stylish technique and luminous sound, they seemed oddly subdued, offering true visceral excitement only in the virtuoso arias by Hasse and Graupner.