Carnegie Hall: Weill Recital Hall57th Street and, 7th Ave, New York, 10019, États-Unis
Dates/horaires selon le fuseau horaire de New York
| mardi 18 novembre 2025 | 19:30 |
Programme
| Marais, Marin (1656-1728) | Pièces de viole, Livre IV: La Rêveuse | |
| Forqueray, Antoine (1672-1745) | La Leclair | |
| Bach, Johann Sebastian (1685-1750) | Suite pour violoncelle no. 1 en sol majeur, BWV1007 (arr. Thomas Dunford) | |
| Marais, Marin (1656-1728) | La fête champêtre | |
| Marais, Marin (1656-1728) | Le badinage | |
| Marais, Marin (1656-1728) | Couplets de folies | |
| Bach, Johann Sebastian (1685-1750) | Suite pour violoncelle no. 5 en ut mineur, BWV1011 | |
| Pärt, Arvo (n. 1935) | Spiegel im Spiegel (transcr. Thomas Dunford) | |
| Duparc, Henri (1848-1933) | Cello Sonata in A minor | |
| Forqueray, Antoine (1672-1745) | Chaconne "La Buisson" | |
| Marais, Marin (1656-1728) | Les Voix Humaines in D major, for viola da gamba and continuo | |
| Marais, Marin (1656-1728) | Pièces de viole, Livre III: Grand Ballet | |
| Marais, Marin (1656-1728) | Suite d'un goût étranger: Le Tourbillon | |
Discover an acclaimed partnership between two of early music’s leading artists, Nicolas Altstaedt and Thomas Dunford. Together, they perform two of J. S. Bach’s quintessential solo cello suites (including an original transcription for lute), selected pièces de viole by French Baroque composers Marais and Antoine Forqueray, Arvo Pärt’s Spiegel im Spiegel, and more. The well-known thrills of Bach’s cello suites—and the exacting nature of the pièces de viole (Marais’s pieces, in particular, are known for their detailed technical instructions)—offer a powerful contrast to Pärt’s deceptively sparse and revealing masterwork.
Tickets:
- Available August 11 at 11 AM
- Subscriber/Member Presale: August 4 at 11 AM