Julia Bullock

Cameron Kelsall, 11th January

The classical singer's repertoire encompasses showtunes, spirituals and folk songs, alongside a more traditional selection of Lieder.

***11

Barber, Samuel (1910-1981)	Despite and Still, Op.41: My Lizard
Barber, Samuel (1910-1981)	Nuvoletta
Barber, Samuel (1910-1981)	The Daisies, Op.2 no.1
Converse, Connie (n. 1924)	Talkin Like You (arr. Brown)
Converse, Connie (n. 1924)	I Have Considered the Lilies (arr. Brown)
Poulenc, Francis (1899-1963)	Les Mamelles de Tirésias: Non, Monsieur mon mari
Weill, Kurt (1900-1950)	Complainte de la Seine
Weill, Kurt (1900-1950)	Die Muschel von Margate: Petroleum
Poulenc, Francis (1899-1963)	Fiançailles pour rire, FP 101: Mon cadavre est doux comme un gant
Weill, Kurt (1900-1950)	Das Berliner Requiem: Die Ballade vom ertrunkenen Mädchen
Weill, Kurt (1900-1950)	Lady in the dark: The Princess of Pure Delight
Weill, Kurt (1900-1950)	Das Lied von der harten Nuss
Strauss, Richard (1864-1949)	Drei Lieder der Ophelia, Op.67
Burleigh, Henry Thacker (1866-1949)	Deep River
musique traditionnelle	He's Got the Whole World In His Hands (arr. Anderson)
Berg, Alban (1885-1935)	Altenberg Lieder
Rodgers, Richard (1902-1979)	The Sound of Music: Selection
Weill, Kurt (1900-1950)	South Pacific: Selection
Park, Soyeon (n. 1989)	Happily ever after
Dylan, Bob (n. 1941)	Masters of War
Dvořák, Antonín (1841-1904)	Goin’ Home (arr. Odetta)
Cotten, Elizabeth (1893-1987)	Freight Train
Cotten, Elizabeth (1893-1987)	When The Train Comes Along
Converse, Connie (n. 1924)	How Sad How Lovely (arr. Brown)