| Rossini, Gioachino (1792-1868) | La Cenerentola (Cendrillon) | Livret de Jacopo Ferretti |
| English Touring Opera | ||
| Naomi Woo | Direction | |
| Jenny Ogilvie | Mise en scène | |
| Basia Bińkowska | Décors, Costumes | |
| Charlie Morgan Jones | Lumières | |
| Zahid Siddiqui | Ténor | |
| Sandeep Gurrapadi | Ténor | |
| Theo Perry | Baryton | |
| Adam Maxey | Baryton-basse | |
| Esme Bronwen-Smith | Soprano | Angelina (Cinderella) |
| Joseph Doody | Ténor | Don Ramiro |
| Edmund Danon | Baryton | Dandini, valet de Ramiro |
| Arshak Kuzikyan | Basse | Don Magnifico |
| Nazan Fikret | Soprano | Clorinda |
| Lauren Young | Mezzo-soprano | Tisbe |
| Edward Hawkins | Basse | Alidoro |
On the surface a joyous retelling of the Cinderella story, complete with a murderously wicked stepfather and astonishingly virtuosic vocal parts for Cinderella and Ramiro (the Prince), the triumph of goodness and kindness in Rossini’s opera masks a more biting commentary on status and desire.
This new production is helmed by director and movement specialist Jenny Ogilvie and conductor Naomi Woo.