| Bizet, Georges (1838-1875) | Les Pêcheurs de perles | Livret de Eugène Cormon, Michel Carré |
| Gran Teatre del Liceu | |||
| Yves Abel | Direction | ||
| Lotte de Beer | Mise en scène | ||
| Marouscha Levy | Décors | ||
| Jorine van Beek | Costumes | ||
| Orquesta Sinfónica del Gran Teatre del Liceu | |||
| Coro del Gran Teatre del Liceu | |||
| Michael Adams | Baryton | Zurga | 2019 mai 13, 16, 19, 22, 24 |
| Borja Quiza | Basse | Zurga | 2019 mai 14, 17, 20, 23, 25 |
| Ekaterina Bakanova | Soprano | Leïla | 2019 mai 13, 16, 19, 22, 24 |
| Olga Kulchynska | Soprano | Leïla | 2019 mai 14, 17, 20, 23, 25 |
| John Osborn | Ténor | Nadir | 2019 mai 13, 16, 19, 22, 24 |
| Dmitry Korchak | Ténor | Nadir | 2019 mai 14, 17, 20, 23, 25 |
| Fernando Javier Radó | Basse | Nourabad | 2019 mai 13, 16, 17, 19, 20, 22, 23, 25 |
| Federico De Michelis | Baryton-basse | Nourabad | 2019 mai 14, 24 |
This other great title by the composer of Carmen takes us from ancient Sri Lanka to a 21st-century reality show while encapsulating the fascination of the Far East. It returns to the Liceu in a brilliant production by the young stage director Lotte de Beer.
Les pêcheurs de perles centers on a love triangle in a religious setting. This version makes an unquestionably modern reinterpretation of the plot while respecting the inherent subtext. The chorus is always present, symbolizing the transition from tolerance to violence in the ethereal atmosphere conjured up by George Bizet's distinctive and delicate yet exuberant score.