| Opera North | ||
| Garry Walker | Direction | |
| Sir David Pountney | Mise en scène | |
| Maria Björnson | Décors, Costumes | |
| Nick Chelton | Lumières | |
| Stuart Hopps | Chorégraphie | |
| Elin Pritchard | Soprano | la Renarde (Bystrouška) |
| Heather Lowe | Mezzo-soprano | le Renard (Zlatohřbítek) |
| Henry Waddington | Basse | le Prêtre |
| Paul Nilon | Ténor | l'Instituteur |
| James Rutherford | Basse | le Garde-Chasse |
| Richard Burkhard | Baryton | le Garde-Chasse |
| Callum Thorpe | Baryton-basse | Le vagabond Harašta |
| Miranda Bevin | Soprano | la Poule huppée |
| Kathryn Stephens | Soprano | le Geai |
| Claire Pascoe | Mezzo-soprano | la femme de l'Aubergiste |
| Hazel Croft | Mezzo-soprano | la femme du Garde-Chasse |
| Kathryn Sharpe | Contralto | le Pivert |
| Kamil Bien | Ténor | le Moustique |
| Stuart Laing | Ténor | l'Aubergiste |
| Paul Gibson | Baryton | le Blaireau |
A Forester captures a young Vixen and takes her home as a pet for his children. But when she is harassed by the Forester’s amorous dog, and tormented by the children, she escapes back into the wild.
There, the Vixen meets a Fox and has a family, but later she is shot dead as she fends for her cubs. Her children survive, however, and the opera ends in an affirmation of the power of nature to renew itself.
Inspired by the sights and sounds of his native Moravian countryside, Janáček’s colouristic score vividly evokes both the human and animal worlds without a trace of sentimentality. David Pountney’s production – here conducted by Music Director Garry Walker – is widely regarded as a classic.
Sung in English with English titles