En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Elin Pritchard

Sir David Pountney's 1997 staging for Welsh National Opera is given a welcome new lease of life at Grange Park Opera, splendidly cast... with one major exception. 

Opera North's revives its Cavalleria rusticana production by Karolina Sofulak, pairing it this time with Rachmaninov's early opera Aleko. 

Opera North's child-friendly production of The Cunning Little Vixen, conducted by Andrew Gourlay, is loaded with charm.

Richard Farnes returns to Opera North to conduct and Sam Brown directs a concert staging of Wagner's final opera, Parsifal. 

 Poul Ruders’ The Handmaid’s Tale comes home to English National Opera after 20 years in a powerful new production by Annilese Miskimmon.

In a new production at The Grange Festival, Elin Pritchard's performance of Puccini's titular heroine in this 1940s-era update is a tour de force.

Comic opera can fall flat, but if The Grange Festival's new production of Verdi's final masterpiece is a total delight, with a strong concept and a strong cast. This is country-house opera at its best.

It's hard to find anything not to admire in a thrillingly strong production of Britten's haunting chamber opera. 

Charles Edwards and Annabel Arden direct Leoncavallo's Pagliacci and Ravel's L'Enfant et les sortilèges in a contrasting pairing of two short operas in Opera North's 'Little Greats' season.

Nicholas McGegan leads Royal Northern Sinfonia and Samling soloists through a dramatic and thought-provoking performance of Handel's Israel in Egypt to offer an alternative look at the Easter message of hope. 

Michael Sanderling conducts the Dresden Philharmonic in Beethoven in Cardiff.

Opera North's new production of The Snow Maiden is the first professional staging in the UK for over 60 years, although the magic is intermittent

La bohème staged as Tudorbethan drama? Opera Holland Park's quirky tribute to Shakespeare400 is a lot of fun. 

Anthony McDonald’s Rusalka looks and sounds wonderful in a traditionally told production, with Anne Sophie Duprels returning to the role.

Amateur gangsters, but a nicely sung, if rather staid Lucia di Lammermoor at Buxton, worth seeing for its excellent mad scene.

Britten's score achieves his usual kaleidoscope of different colours, played marvellously by the City of London Sinfonia under Steuart Bedford. Annilese Miskimmon's production yields an intense dose of psycho-dramatic tension.

Scottish Opera Orchestra and Royal Conservatiore of Scotland showcase singers trained and training in Scotland, tackling repertoire influenced by Sir Walter Scott.

It is always a challenge to take live opera to the places opera does not reach, and let’s face it, many people live a distance from the main performing venues. A long drive home after a three-hour opera or an overnight stay in the city weeds out all but the dedicated followers.