The Rose, the Lily, and the Whortleberry: Medieval, Renassaince and Modern Musical Representations of Gardens and Horticulture

Hortus conclusus sehen in

The Rose, the Lily and the Whortleberry: The Orlando Consort

Jane Shuttleworth, 21st February

The medieval garden was an enchanted place, a place where the beauties of nature took on formal and symbolic qualities, and the perfect setting for the coded artifice of courtly love.

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Machaut, Guillaume de (1300-1377)	Rose, Lis
Anonymous	El mois de Mai / De se debent
Anonymous	Hé, Marotele / El la praërie
Trebor	Passerose de beauté
Ciconia, Johannes (1370-1412)	O rosa bella, o dolçe anima mia
Anonymous	N'a pas long temps que trouvay Zephirus
Anonymous	Flos regalis
Brown, Nicholas (b. 1974)	The Lily-white Rose
Casken, John (b. 1949)	To the Lovers' Well
Agricola, Alexander (1446-1506)	Royne des flours
Brumel, Antoine (1460-1512)	Sicut lilium
Anonymous	Dindirin, dindirin
Vázquez, Juan (1500-1560)	En la fuente
Ceballos, Rodrigo de (1525-1581)	Hortus conclusus
Anonymous	Aquella mora garrida
Anonymous	France, par consolation
Anonymous	L'aultre jour dedans ung jardin
Sermisy, Claudin de (1490-1562)	Changeons propos
Lupi, Johannes (1506-1539)	Quant j'estoys jeune fillette
Clemens non Papa, Jacobus (1510-1555)	Ego flos campi
Crecquillon, Thomas (1505-1557)	Des herb ais assés
Clemens non Papa, Jacobus (1510-1555)	Au ioly bocquet croist la violette
Gombert, Nicolas (1495-1560)	Quam pulchra es