This year marks a number of milestones for choreographer and performer José Navas. He celebrates 30 years of his dance career, 20 years for his company Compagnie Flak, and perhaps most significantly, Navas celebrates turning 50. Rather than take this birthday as a sign to slow down, Navas welcomes his fifties with 12 performances of a new solo show, Rites. With age, his body doesn’t necessarily move the same or have all the same capabilities it once did, but it is the tool Navas knows most intimately, and one he continues to push, with respect, to its limits.
Rites is actually a combination of four solos set to Nina Simone, Dvořák, Schubert and Stravinsky. Between each section, Navas goes in and out of character before our very eyes. He returns to the chair set far upstage and changes faces as he changes clothes, slowly, ritualistically. We see him oscillate between the powerful and elegant performer we know him to be, and the humble, older man he is more personally. Everything about Rites feels like the coming together of these two sides of Navas, as if with age and experience he is able to find the sweet spot between on-stage and off-stage and simply be himself. Surely, by the end of the performance, I did not feel that I was applauding a particular work so much as the man himself.
He says he started from the music in creating Rites. Each melody resonates with him on a personal level and evoked memories and feelings before evoking movement. This choice process is obvious from the very first solo to Nina Simone’s “Ain’t No Use”. Stripping down to only his briefs and a bedazzled white shirt, the ease and joy with which Navas begins to dance reminds me of putting on your favourite song and dancing alone in your living room. This also speaks to Navas’ refined dancing style, his clean lines, architectural movements, and subtle fluidity, a style that looks as familiar on him as walking.