| Mozart, Wolfgang Amadeus (1756-1791) | Don Giovanni | Livret de Lorenzo Da Ponte |
| Opera North | ||
| Christoph Altstaedt | Direction | |
| Alessandro Talevi | Mise en scène | |
| Madeleine Boyd | Décors, Costumes | |
| Chorus of Opera North | ||
| Orchestra of Opera North | ||
| William Dazeley | Baryton | Don Giovanni |
| John Savournin | Baryton | Leporello |
| Jennifer Davis | Soprano | Donna Anna |
| Elizabeth Atherton | Soprano | Donna Elvira |
| Kathryn Rudge | Mezzo-soprano | Zerlina |
| Nicholas Watts | Ténor | Don Ottavio |
| Ross McInroy | Basse | Masetto |
| James Platt | Basse | Le Commandeur |
As he seduces his way across Europe, this famous anti-hero's hedonism is a challenge not only to human morality, but also to God.
Broad comedy rubs up against tense drama in Da Ponte’s libretto, and the beauty and terror of Mozart’s score are evidence of a supreme musical dramatist at the height of his powers, divinely (and perhaps diabolically) inspired.
Alessandro Talevi’s eclectic, time-travelling production brings fresh insights to this, Mozart’s darkest, craziest, opera.