Live EventsEn voir plus...
EdimbourgVerdi Requiem

Verdi: Requiem
Royal Scottish National Orchestra; Patrick Hahn; Jennifer Davis; Deniz Uzun; Mario Lerchenberger; Edwin Crossley-Mercer
GlasgowVerdi Requiem

Verdi: Requiem
Royal Scottish National Orchestra; Patrick Hahn; Jennifer Davis; Deniz Uzun; Mario Lerchenberger; Edwin Crossley-Mercer
DublinEugene Onegin

Tchaïkovski: Eugène Onéguine
Fergus Sheil; Patrick Nolan; Irish National Opera; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Irish National Opera Orchestra
WexfordEugene Onegin

Tchaïkovski: Eugène Onéguine
Fergus Sheil; Patrick Nolan; Irish National Opera; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Irish National Opera Orchestra
CorkEugene Onegin

Tchaïkovski: Eugène Onéguine
Fergus Sheil; Patrick Nolan; Irish National Opera; Leslie Travers; Elizabeth Gadsby; Malcolm Rippeth; Irish National Opera Orchestra
Critiques récentesEn voir plus...
Un fascinant Tannhäuser ouvre la saison du Grand Théâtre de Genève

La mise en scène de Michael Thalheimer, la direction musicale de Mark Elder, le décor, les lumières, la distribution : tout concourt ici à produire une soirée prodigieuse.
Weber’s Oberon convinces musically but fails dramatically

The composer’s final opera is virtually impossible to stage comfortably, but Sir Mark Elder makes a convincing case for more regular outings of its beautiful music.
Irish National Opera’s new Rusalka intrigues more than it convinces

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale.
Astonishing Mahler 2 from Runnicles and the BBC Scottish

Sir Donald Runnicles and the BBC Scottish reunite for an astonishing Mahler 2 with Karen Cargill, Jennifer Davis and the Edinburgh Festival Chorus.
Richard Jones directs a successful new Wozzeck in Tokyo

Richard Jones directs a new production at Tokyo's New National Theatre which lucidly articulates the structure of Berg’s expressionist music.
Revolutionary zeal gives way to tyranny in The Royal Opera’s Fidelio

This revival of Kratzer’s production forces the audience to confront where personal responsibility starts and stops for acting under a tyrannical regime, while bringing Beethoven’s only opera to life – with a few twists.
