Strauss, Richard (1864-1949) | Elektra |
Opéra d'État hongrois | ||
Balázs Kocsár | Direction | |
Balázs Kovalik | Mise en scène | |
Csaba Antal | Décors | |
Mari Benedek | Costumes | |
Orchestre de l'Opéra d'État hongrois | ||
Chœurs de l'Opéra d'État hongrois | ||
Szilvia Rálik | Soprano | Elektra |
Atala Schöck | Mezzo-soprano | Clytemnestre |
Tímea Tímár | Mezzo-soprano | Clytemnestre |
Adrienn Miksch | Soprano | Chrysothémis |
Gábor Bretz | Basse | Oreste |
Antal Cseh | Basse | Oreste, Le précepteur d'Oreste |
Istvan Horvath | Ténor | Égisthe |
Dániel Pataky | Ténor | Égisthe |
Zsófia Nagy | Soprano | La Porteuse de traîne |
Diána Ivett Kiss | Soprano | Première Servante |
Zsófia Kálnay | Mezzo-soprano | Deuxième Servante |
Melinda Heiter | Mezzo-soprano | Troisième Servante |
Beatrix Fodor | Soprano | Quatrième Servante |
Eszter Zavaros | Soprano | Cinquième Servante |
Mária Farkasréti | Soprano | La Surveillante |
Lusine Sahakyan | Mezzo-soprano | La Confidente |
Gergely Biri | Ténor | Un jeune serviteur |
Máté Fülep | Baryton | Un vieux serviteur |
“So many grandly constructed and amazingly nuanced scenes! Full of ambivalences, the initial kinship of the three female characters and the antagonism growing out of the insolubilities of life – paradox fusing into complexity. Flung from one perspective to the next, we can only agree with Klytämnestra: Was die Wahrheit ist, das bringt kein Mensch heraus: what the truth is, no man will ever unravel,” wrote Géza Fodor of Balázs Kovalik's production.
Richard Strauss wrote an overwhelming one-act masterpiece to Hofmannsthal's libretto, an opera of feminine tragedy. It is a faithful adaptation of the Greek tragedy, pitting reconciliation, revenge and madness stoked by a troubled conscience one against the other.
Subscriptions on sale until 30 June 2022; tickets on sale from 4 July 2022