Strauss, Richard (1864-1949) | Elektra |
Hungarian State Opera | ||
Balázs Kocsár | Musikalische Leitung | |
Balázs Kovalik | Regie | |
Csaba Antal | Bühnenbild | |
Mari Benedek | Kostüme | |
Hungarian State Opera Orchestra | ||
Hungarian State Opera Chorus | ||
Szilvia Rálik | Sopran | Elektra |
Atala Schöck | Mezzosopran | Klytaemnestra |
Tímea Tímár | Mezzosopran | Klytaemnestra |
Adrienn Miksch | Sopran | Chrysothemis |
Gábor Bretz | Bass | Orest |
Antal Cseh | Bass | Orest, Pfleger des Orest |
Istvan Horvath | Tenor | Aegisth |
Dániel Pataky | Tenor | Aegisth |
Zsófia Nagy | Sopran | Schleppträgerin |
Diána Ivett Kiss | Sopran | Erste Magd |
Zsófia Kálnay | Mezzosopran | Zweite Magd |
Melinda Heiter | Mezzosopran | Dritte Magd |
Beatrix Fodor | Sopran | Vierte Magd |
Eszter Zavaros | Sopran | Fünfte Magd |
Mária Farkasréti | Sopran | Aufseherin |
Lusine Sahakyan | Mezzosopran | Vertraute |
Gergely Biri | Tenor | Junger Diener |
Máté Fülep | Bariton | Alter Diener |
“So many grandly constructed and amazingly nuanced scenes! Full of ambivalences, the initial kinship of the three female characters and the antagonism growing out of the insolubilities of life – paradox fusing into complexity. Flung from one perspective to the next, we can only agree with Klytämnestra: Was die Wahrheit ist, das bringt kein Mensch heraus: what the truth is, no man will ever unravel,” wrote Géza Fodor of Balázs Kovalik's production.
Richard Strauss wrote an overwhelming one-act masterpiece to Hofmannsthal's libretto, an opera of feminine tragedy. It is a faithful adaptation of the Greek tragedy, pitting reconciliation, revenge and madness stoked by a troubled conscience one against the other.
Subscriptions on sale until 30 June 2022; tickets on sale from 4 July 2022