| Verdi, Giuseppe (1813-1901) | Le Trouvère | Livret de Salvatore Cammarano |
| Opéra d'État hongrois | ||
| Ádám Medveczky | Direction | |
| Judit Galgóczy | Mise en scène | |
| Attila Kozma | Chorégraphie | |
| Budapest Philharmonic Orchestra | ||
| Chœurs de l'Opéra d'État hongrois | ||
| Mihály Kálmándy | Baryton | Il conte di Luna |
| Gabriella Létay Kiss | Soprano | Leonora |
| Kamen Chanev | Ténor | Manrico |
| Ildikó Komlósi | Mezzo-soprano | Azucena |
| Erika Markovics | Soprano | Ines |
| Gergely Ujvári | Ténor | Ruiz |
| András Palerdi | Basse | Ferrando |
“In a good tragedy, everyone is right.” Verdi takes this maxim one step further: with a predilection for heaping dramatic conflicts until they lie thick on the ground, he has a special fondness for creating unresolvable situations and posing agonising dilemmas for his heroes. A drama of politics, love and revenge, Il Trovatore is both a true work of Italian romanticism and an outstanding testament to Verdi's dramatic abilities. It is little wonder that it remains one of his most popular works to this day.
A new production of the Opera directed by Judit Galgóczy, Il Trovatorepremieres at the Miskolc Opera Festival in June of 2015, and then opens at the Erkel Theatre from mid-March 2016.