Otello

Shakespeare (and Boito) and Verdi lead the title hero into an ever-deeper abyss. The opera opens with a powerful storm scene and the jubilant entry of Otello, commander of the Venetian Navy, who, in spite of all the natural forces, returns to Cyprus and announces victory over the Ottoman Empire. The hero, however, makes the fatal error of trusting an evil man. Iago, a ruthless schemer devoured by lust for power, turns Otello’s life into a hell. Lost in his own delusions, Iago’s intrigues drive the feted general to blind jealousy, ultimately resulting in murder. Verdi was well aware of the extraordinary quality of Boito’s libretto, the finest he encountered during his career as a composer. He believed that together they had created a masterpiece – and he was right.

The premiere, on 5 February 1887 at La Scala in Milan, was a triumph, following which Otello set out on its glorious journey around the world. On 7 January 1888, owing to the promptitude of its director, František Adolf Šubert, the opera was staged, in Czech, at the National Theatre in Prague. The State Opera first presented it on 20 December 1911, conducted by Pietro von Stermich. Our new production has been undertaken by the distinguished drama director Martin Čičvák, who has previously gained acclaim at the State Opera with adaptations of Verdi’s opera Macbeth, Paul Abraham’s operetta Ball im Savoy and Dmitry Shostakovich’s opera Lady Macbeth of Mtsensk.