| Puccini, Giacomo (1858-1924) | Tosca | Livret de Luigi Illica, Giuseppe Giacosa |
| Opéra d'État hongrois | |||
| Gergely Kesselyák | Direction | ||
| Viktor Nagy | Mise en scène | ||
| Tamás Vayer | Décors | ||
| Nelly Vágó | Costumes | ||
| Orchestre de l'Opéra d'État hongrois | |||
| Chœurs de l'Opéra d'État hongrois | |||
| Gyöngyi Lukács | Soprano | Floria Tosca | |
| Csilla Boross | Soprano | Floria Tosca | |
| Attila Fekete | Ténor | Mario Cavaradossi | 2016 nov. 05 mat |
| Marcello Giordani | Ténor | Mario Cavaradossi | |
| Alexandru Agache | Baryton | Baron Scarpia | |
| Ferenc Cserhalmi | Basse | Cesare Angelotti | 2016 nov. 05 mat |
| Antal Cseh | Basse | Cesare Angelotti | |
| László Haramza | Ténor | Spoletta | |
| András Káldi Kiss | Basse | Sciarrone | |
| András Hábetler | Basse | Le Sacristain |
In June of 1800, the air in Rome is crackling with tension: With Austrian oppression having replaced French oppression, the fate of the Roman Republic now depends on Napoleon. Politics and political terror have become essential parts of Roman life, and the might of authority even extends to the love between a painter and a celebrated opera diva, who find that life can produce situations that are more dramatic than those on the stage.
One of Puccini's most shocking operas, Tosca deals with love, power, violence and the limits of human nature.