En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Alexandru Agache

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

The acting was patchy and the singing ranged from serviceable to laudable in this dazzling new production at the Budapest Spring Festival.

With Gergely Kesselyák on double duty as conductor and director, this revival proves musically outstanding but theatrically less than satisfying.

Quality singing impresses in Puccini's opera at the Hungarian State Opera, despite a dusty staging.

Although with a promising concept, the Hungarian State Opera’s new production ultimately proved underdirected.

Hungary is a landlocked country. In fact, Budapest is an awfully long way from the sea in all directions. So it’s not the first place you’d expect to come for a production of Wagner’sFlying Dutchman that is gloriously redolent of the sea, both in staging and in the orchestral performance. But that’s what we got last night at the Hungarian State Opera.

Infernal Dance - Inside the World of Béla Bartók is this year's South Bank Special series. It's quite an endeavour, since Esa-Pekka Salonen and the Philharmonia will perform many concerts over 11 months, culminating in Duke Bluebeard's Castle in November. It's an important series, since Bartók's place in 20th century music cannot be overestimated.