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Welcome to Bachtrack
The classical music website

Debussy’s Pelléas et Mélisande as a dark, shining fairy tale in Geneva
© GTG | Magali Dougados
Jaap van Zweden and the Seoul Philharmonic launch US tour impressively at Carnegie Hall
© Fadi Kheir
American Ballet Theatre presents the classics with slightly uneven results
© Steven Pisano
Tenebrae’s spatial sonic experiment: Pärt, Tallis and Tavener at the Elbphilharmonie
© Carolin Windel
Thomas Adès and the LSO compelling in Rautavaara and lesser known Sibelius
© LSO | Mark Allan
Estonian Festival Orchestra make Carnegie Hall debut with an evening of Arvo Pärt
© Fadi Kheir
John Neumeier’s Liliom: a Prague triumph for this modern masterpiece
© Serghei Gherciu
Rudolf Buchbinder completes Singapore Beethoven concerto cycle in style
© Yoricko Liu | Singapore Symphony Orchestra
Graceful Schubert from The Hallé and Elena Schwarz at Bridgewater Hall
© David Hughes | The Hallé
Northern Ballet’s Little Red Riding Hood: ballet for everyone
© Brian Slater
Ballet Preljocaj preserves Gravity amid setback on US tour
© Jean-Claude Carbonne
Ratmansky’s Callirhoe launches the Ferri era in Vienna in spectacular style
© Wiener Staatsballett | Ashley Taylor
Laurent Pelly’s iconic Fille du régiment retains its charm at La Scala
© Brescia e Amisano | Teatro alla Scala
Birmingham Royal Ballet in Black Sabbath – The Ballet: the right balance between ballet and rock
© Johan Persson
Fountain of youth reaches retirement: Delius’ The Magic Fountain at Wexford
© Pádraig Grant
National Ballet of Japan revives Ashton’s beloved Cinderella
© Kiyonori Hasegawa
Delectable Deidamia: Wexford’s second act triumphs with Handel rarity
© Pádraig Grant
Kansas City Ballet in Swan Lake: good girl vs bad girl
© Brett Pruitt & East Market Studios
American Ballet Theatre’s legacy works: vintage or dated?
© Steven Pisano
Dalia Stasevska makes a radiant Pittsburgh Symphony debut
© Alexis Wary
The Royal Ballet in Ashton’s La Fille mal gardée: the most joyous of ballets
© Alice Pennefather
Spanish Civil War Trouvère opens Wexford with a foot in both camps
© Pádraig Grant
Debussy’s Pelléas et Mélisande as a dark, shining fairy tale in Geneva
© GTG | Magali Dougados
Jaap van Zweden and the Seoul Philharmonic launch US tour impressively at Carnegie Hall
© Fadi Kheir
American Ballet Theatre presents the classics with slightly uneven results
© Steven Pisano
Tenebrae’s spatial sonic experiment: Pärt, Tallis and Tavener at the Elbphilharmonie
© Carolin Windel
Thomas Adès and the LSO compelling in Rautavaara and lesser known Sibelius
© LSO | Mark Allan
Estonian Festival Orchestra make Carnegie Hall debut with an evening of Arvo Pärt
© Fadi Kheir
John Neumeier’s Liliom: a Prague triumph for this modern masterpiece
© Serghei Gherciu
Rudolf Buchbinder completes Singapore Beethoven concerto cycle in style
© Yoricko Liu | Singapore Symphony Orchestra
Graceful Schubert from The Hallé and Elena Schwarz at Bridgewater Hall
© David Hughes | The Hallé
Northern Ballet’s Little Red Riding Hood: ballet for everyone
© Brian Slater
Ballet Preljocaj preserves Gravity amid setback on US tour
© Jean-Claude Carbonne
Ratmansky’s Callirhoe launches the Ferri era in Vienna in spectacular style
© Wiener Staatsballett | Ashley Taylor
Laurent Pelly’s iconic Fille du régiment retains its charm at La Scala
© Brescia e Amisano | Teatro alla Scala
Birmingham Royal Ballet in Black Sabbath – The Ballet: the right balance between ballet and rock
© Johan Persson
Fountain of youth reaches retirement: Delius’ The Magic Fountain at Wexford
© Pádraig Grant
National Ballet of Japan revives Ashton’s beloved Cinderella
© Kiyonori Hasegawa
Delectable Deidamia: Wexford’s second act triumphs with Handel rarity
© Pádraig Grant
Kansas City Ballet in Swan Lake: good girl vs bad girl
© Brett Pruitt & East Market Studios
American Ballet Theatre’s legacy works: vintage or dated?
© Steven Pisano
Dalia Stasevska makes a radiant Pittsburgh Symphony debut
© Alexis Wary
The Royal Ballet in Ashton’s La Fille mal gardée: the most joyous of ballets
© Alice Pennefather
Spanish Civil War Trouvère opens Wexford with a foot in both camps
© Pádraig Grant
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