Amber Wagner delivers a thrilling performance in Opera Australia's revival of Graeme Murphy's Turandot – a spectacular feast for both the ears and eyes.
Rattle and the LSO clearly had great things in mind, as they played with characteristic polish and richness, with the Adagio of Bruckner’s Sixth a thing to admire.
The world is sinking in "Violet Snow", as the opera by Beat Furrer, directed by Claus Guth, is given its world premiere at the Staatsoper unter den Linden.
Tamara Wilson was a top-notch Ariadne, supported by a strong cast, including Kate Lindsey as a passionate Composer, a thrilling Zerbinetta by Daniela Fally, and an unbeatable Bacchus in Andreas Schager.
The classical masterpieces of Haydn and Schubert miss the spot, but Ligeti and Poulenc enthral in the splendid setting of the Concert Room, St George’s Hall, Liverpool.
Katherine Baker and Lucy Wakeford delighted in Mozart, Debussy and Fauré with the Northern Chamber Orchestra in a concert crowned by an undeservedly rare symphony by Haydn.
While Bellini’s two-act opera Norma underscores the religious wars between the ancient Druids and Romans, it also highlights an emotive personal conflict that is veiled in deceit and cultural discrepancy.
Francesco Piemontesi performed Brahms’ monumental second concerto with captivating results, followed by Andrew Manze’s carefully considered interpretation of Mozart’s Jupiter symphony in Liverpool’s Philharmonic Hall.
A charming, thoughtful account of Beethoven's First Piano Concerto by Norwegian pianist Christian Ihle Hadland, while the NSO under the baton of Stutzmann delivered wonderful Haydn and Mendelssohn Symphonies.
Three years after its première, Until the Lions returns to the Roundhouse, still an extraordinary theatrical experience: mesmerising, atmospheric, sensory and strangely sensual
Sir Simon Rattle and the LSO kick off the New Year by showcasing a contemporary vocal masterpiece (with Barbara Hannigan as soloist) together with two symphonies by Nordic composers.
Widely thought a pinnacle of 20th century dance, John Neumeier’s “Die Kameliendame” ballet recently celebrated its 100th performance at the Bayerisches Staatsoper in Munich.
Alexander Melnikov and Andreas Staier's sensitive and insightful performances, combined with the fortepiano's freshness and added edge, make for a special evening of Schubert.
Jakub Hrůša and Simon Trpčeski with the New York Philharmonic Orchestra impress at Lincoln Center with a programme of works from Central and Eastern Europe.
Although Adriana Lecouvreur could never be referred to as one of the world’s greatest operas, Anna Netrebko, Anita Rachvelishvili and Piotr Beczała give it the star treatment at the Metropolitan Opera.
This revival of the Met's 30-year-old production of Aida had a disappointing debut in the title role but Dolora Zajick's reign as Amneris is still a force of nature.
Jurgita Dronina adds a slight Russian touch to Derek Deane's Swan Lake in an evening marked by intense interpretations of the leading roles and gleaming performances from young soloists.
Honouring a quarter-century since their creation, alumni from the orchestra united to give a very special anniversary commemorative concert filled with musical fellowship and pride.
25 years after its creation in Bayreuth, Director Heiner Müller's legendary production of Tristan und Isolde was recreated and presented in Linz with committed performers with great success.
David Fallis and colleagues offered a ravishing -- and original -- gift of Christmas music with an "alternate" Venetian Vespers drawn from Monteverdi's last published collection of sacred music.
The early music ensemble peppered its diverse program with the rollicking play A Christmas Messe. While not all arrangements worked well, expertise and emotion made for a pleasurably unique performance.
Eighteen years ago Montreal’s Orchestre Métropolitain took a huge gamble by appointing the youthful local Yannick Néget- Séguin as its Music Director. Now, when the Maestro returns to conduct in his native city, a lovefest ensues.
After a long break from creations solely for dance, Sasha Waltz’s Kreatur is a step into a new aesthetic direction presenting the body as a living unit of microcells and anatomical fragments at the Radialsystem
Teodor Currentzis, on tour with the SWR Symphony Orchestra, pairs two Russian masterpieces written a century apart: Tchaikovsky's Fifth Symphony and Schnittke's Viola Concerto with Antoine Tamestit.
