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A classic staging at the Kennedy Center turned resplendent in the second act.

A great performance of Vivaldi's only surviving oratorio, with Marie-Nicole Lemieux as the protagonist, under the baton of Jean-Chirstophe Spinosi.

Lise Davidsen is now a major talent and in this warmly presented recital, she showcased technical ability and raw power in a programme of Scandinavian and German songs.

Another opera novice struggles in the Staatsoper's new Rosenkavalier, while Zubin Mehta's leaden conducting proves a burden.

Handsome, if not razor-sharp, performances of familiar repertoire, given with affection, ear-catching colour and boundless vitality.

The Bayerische Staatsoper revives once again a beloved production, with a first rate cast.

The satisfying kick-off to the New York Philharmonic’s Project 19 women’s commissioning project shared a bill with a disappointing Haydn cello concerto and a rewarding Mozart Mass.

Interrupted melody in Vondráček’s Rachmaninov's Third Piano Concerto, but magnificent playing from Chan and the Antwerp Symphony.