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Showing 50 of 2181 articles
By , 28 September 2023
28 Sep 2023
A rich mix in Palau de la Música Catalana’s new season
By Bachtrack
By , 26 September 2023
26 Sep 2023
The authenticity of spirit: Semyon Bychkov
By Richard Bratby
By , 25 September 2023
25 Sep 2023
Bachtrack top ten: Dmitri Shostakovich
By Mark Pullinger
By , 25 September 2023
25 Sep 2023
Venturing into the STAGE+ house of wonders
By Peter Quantrill
By , 21 September 2023
21 Sep 2023
Ton Koopman on the multiple personalities of JS Bach
By Nahoko Gotoh
By , 19 September 2023
19 Sep 2023
A scintillating, intoxicating autumn season in Prague
By Bachtrack
By , 14 September 2023
14 Sep 2023
Budapest pulls out all the stops: the new Hungarian State Opera season
By Bachtrack
By , 13 September 2023
13 Sep 2023
Clarity and communication: Leonidas Kavakos
By Richard Bratby
By , 12 September 2023
12 Sep 2023
Striking a perfect balance in Prague: Filip Barankiewicz
By Deborah Weiss
By , 11 September 2023
11 Sep 2023
Critics’ Choice 2023: the world’s top ten conductors and orchestras
By Bachtrack
By , 08 September 2023
08 Sep 2023
Sofia’s musical polymath: Nayden Todorov
By David Karlin
By , 07 September 2023
07 Sep 2023
Trauma and polyphony: Saariaho’s Innocence comes to Amsterdam
By David Grundy
By , 06 September 2023
06 Sep 2023
Conducting as second nature: Tarmo Peltokoski on coming to Rotterdam
By Michael Klier
By , 05 September 2023
05 Sep 2023
About a work: Paul Agnew on Purcell’s Fairy Queen
By Bachtrack
By , 04 September 2023
04 Sep 2023
Singing at the edge: inside the BBC Singers
By Lawrence Dunn
By , 04 September 2023
04 Sep 2023
The LSO enters a new era with a vibrant new season
By Bachtrack
By , 01 September 2023
01 Sep 2023
Speaking Beethoven and Bartók: András Keller and Pierre-Laurent Aimard
By Peter Quantrill
By , 01 September 2023
01 Sep 2023
Idyllic scenery and fiery performances: LuganoMusica’s new season
By Bachtrack
By , 31 August 2023
31 Aug 2023
Keeping score: Riccardo Muti reflects on a lifetime in music
By Mark Pullinger
By , 29 August 2023
29 Aug 2023
David Dawson on choreographing emotion through movement
By Deborah Weiss
By , 24 August 2023
24 Aug 2023
The ultimate immersion in Dvořák: the Czech Philharmonic’s new season
By Bachtrack
By , 22 August 2023
22 Aug 2023
Kahchun Wong on coming to Dresden and the future of classical music
By Simon Cummings
By , 18 August 2023
18 Aug 2023
Sharp drop in A Level Music entrants reflects wider declines
By Lawrence Dunn
By , 08 August 2023
08 Aug 2023
Le tour de Gaule: a musical summer in France
By David Karlin
By , 07 August 2023
07 Aug 2023
Sounds of the Dolomites: welcoming to all with enhanced accessibility
By Ben Lunn
By , 04 August 2023
04 Aug 2023
Tearing up the box: Lise Davidsen on new roles and vocal stereotyping
By Mark Pullinger
By , 28 July 2023
28 Jul 2023
The weight of memory: the music of Krzysztof Penderecki
By David Grundy
By , 27 July 2023
27 Jul 2023
The first Hungarian Ballet Grand Prix wins hearts and plaudits
By Maggie Foyer
By , 21 July 2023
21 Jul 2023
A concertgoer’s guide to food and drink in Tokyo
By Rebecca Hallett
By , 07 July 2023
07 Jul 2023
Trans-Pacific space-age Wagner: Chen Shi-Zheng’s hybrid Ring cycle
By Chantal Nguyen
By , 07 July 2023
07 Jul 2023
Bachtrack top ten: Gustav Mahler
By Mark Pullinger
By , 05 July 2023
05 Jul 2023
Great concert halls of the world: Amsterdam’s Concertgebouw
By David Karlin
By , 30 June 2023
30 Jun 2023
Yasuhisa Toyota, acoustician of the world’s great concert halls
By David Karlin
By , 26 June 2023
26 Jun 2023
Pioneer of abstraction: Bronislava Nijinska’s life becomes a ballet
By Fátima Nollén
By , 19 June 2023
19 Jun 2023
Catch him while you can: choreographer Andrew McNicol
By Deborah Weiss
By , 16 June 2023
16 Jun 2023
A long-lasting friendship: Zubin Mehta on returning to Belgrade
By Mark Pullinger
By , 15 June 2023
15 Jun 2023
Energy radiating outwards: Marzena Diakun on the Fitelberg Competition
By Peter Quantrill
By , 13 June 2023
13 Jun 2023
New kids on the block: dancing Little Sleeping Beauty
By Jonathan Gray
By , 08 June 2023
08 Jun 2023
Everything all at once: Boris Pinkhasovich
By Frank Kuznik
By , 07 June 2023
07 Jun 2023
A celebratory mood in Saffron Hall’s autumn season
By Bachtrack
By , 05 June 2023
05 Jun 2023
A Wagnerian in Riga: Egils Siliņš
By Richard Bratby
By , 02 June 2023
02 Jun 2023
Bachtrack top ten: Edward Elgar
By Mark Pullinger
By , 02 June 2023
02 Jun 2023
Loyal artists, hits and rarities: Ambronay Festival 2023
By Bachtrack
By , 31 May 2023
31 May 2023
Glamour and drama in Singapore Symphony’s 2023–24 season
By Bachtrack
By , 30 May 2023
30 May 2023
Ready for worlds to come: De Singel’s Hendrik Storme
By Kurt Gottschalk
By , 28 May 2023
28 May 2023
A survivor from Transylvania: the life of György Ligeti
By Lawrence Dunn
By , 26 May 2023
26 May 2023
With pipes, drums and fiddles: a Ligeti playlist
By Lawrence Dunn
By , 22 May 2023
22 May 2023
Bachtrack top ten: Richard Wagner
By Mark Pullinger
By , 17 May 2023
17 May 2023
Ida Ränzlöv awarded 2023 Birgit Nilsson Stipendium
By Frank Kuznik
By , 11 May 2023
11 May 2023
An adventurous new season from Dutch National Opera
By Bachtrack