Articles, quizzes and news

“It’s not a Cinderella story”: Kristine Opolais on returning to Rusalka

By , 24 February 2017
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“Throwing paint at the canvas”: Ryan Wigglesworth on composing his first opera

By , 24 February 2017
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Brian Jagde on flawed characters and finding his voice

By , 23 February 2017
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Familiar venue, new team: the new Grange Festival's artistic director Michael Chance

By , 22 February 2017
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From Crumb to Kaufmann: Holland Festival 2017 revealed

By , 21 February 2017
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No cookie cutter soprano: Joyce El-Khoury on Violetta… and why Musetta is such fun

By , 21 February 2017
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A wealth of new productions for Dutch National Opera’s 2017-18 season

By , 20 February 2017
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Vacancy: Content creator needed

By , 19 February 2017
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Brussels, a dance capital

By , 17 February 2017
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“On stage, your soul is naked”: Ermonela Jaho on her heartbreaking soprano roles

By , 17 February 2017
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From rage to confession: Ferruccio Furlanetto on a lifetime with Philip II

By , 16 February 2017
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“It boggles my mind!" Stuart Skelton on opera direction and tackling Tristan

By , 15 February 2017
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Meaning behind every note: A Turkish première for Der Rosenkavalier

By , 10 February 2017
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Roberto Alagna: Frenchman, Sicilian, tenor, father, polyglot, hero, gypsy

By , 08 February 2017
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Sink or swim: soprano Sydney Mancasola on diving into new roles

By , 08 February 2017
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“With new work, it's essential to take the audience out of its comfort zone”: interview with Stéphane Degout

By , 07 February 2017
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“Violetta is my life's work”: Corinne Winters on Traviata and taking on new roles

By , 07 February 2017
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Barcelona: the best of music, art and food

By , 06 February 2017
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“Opera is definitely thriving across the United States and in Canada”: In conversation with Marc A Scorca

By , 06 February 2017
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Music of the Spheres: Operatic worlds collide in Linz

By , 03 February 2017
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