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Ballet ABC
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New York CityBalanchine, Bennett & The Beach Boys

Stravinsky, Bolcom, Various
George Balanchine; Clark Tippet; Jessica Lang; Twyla Tharp; American Ballet Theatre

AmsterdamThe Little Big Box

The Little Big Box
Broadley: The Little Big Box
Ernst Meisner; Dutch National Ballet's Junior Company

TokyoKenneth Macmillan's Romeo and Juliet

Kenneth Macmillan's Romeo and Juliet
Prokofiev: Romeo and Juliet
Sir Kenneth MacMillan; The National Ballet of Japan; Martin Yates; Paul Andrews; Tokyo Philharmonic Orchestra


Prokofiev: Cinderella
Christopher Wheeldon; English National Ballet; Gavin Sutherland; Julian Crouch; English National Ballet Philharmonic

MunichCoppéliaNew production

Delibes: Coppélia
Roland Petit; Bavarian State Ballet; Anton Grishanin; Ezio Frigerio; Franca Squarciapino; Jean-Michel Désiré

AmsterdamRomeo and Juliet

Romeo and Juliet
Prokofiev: Romeo and Juliet
Rudi van Dantzig; Dutch National Ballet; Ermanno Florio; Dutch Ballet Orchestra
Latest reviewsSee more...

Ratmansky's Seasons the highlight of a mixed ABT program

Herman Cornejo in A Gathering of Ghosts © Rosalie O'Connor
A mixed evening at the Koch Theater, with ABT shining in Ratmansky and a new Twyla Tharp creation, but struggling in Balanchine. 
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Russell Maliphant gets under the skin in Silent Lines

Grace Jabbari in Silent Lines © Martin Collins
Silent Lines epitomises Maliphant’s compulsive study of fascia, the layers of integrated tissue attached to, enclosing and separating muscles.
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Lina Seveliova enchants in Imperial Russian Ballet's Swan Lake

Nariman Bekzhanov, Lina Seveliova and the Imperial Russian Ballet Company © Vladimir Dorofeev
The regal grandeur of Sydney's State Theatre marries the alluring beauty of the Imperial Russian Ballet's swan ensemble, in this strictly traditional and most enchanting production.
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Wendy Whelan embraces minimalism in The Day

Wendy Whelan and Maya Beiser in The Day © Reed Hutchinson and CAP UCLA
The Day features music by David Lang and choreography by Lucinda Childs as former ballerina Wendy Whelan and cellist Maya Beiser perform together in this work contemplating memory, mortality, and aging.
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From rags to riches through feathers and glitters

The Pygmalion Effect © Souheil Michael Khoury
The myth of Pygmalion and Galatea brings us back to the very start of the ballet tradition with Jean-Philippe Rameau’s one act opera-ballet of 1748.
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Down with bourgeoise indifference: a new ballet in Zurich

Dancers of the Zurich Junior Ballet © Gregory Batardon

In the Zurich premiere of The Little Match Girl, choreographer Christian Spück tackles a project of major proportions.

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