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ZürichRomeo and Juliet

Romeo and Juliet
Prokofiev: Romeo and Juliet
Christian Spuck; Ballett Zürich; Zurich Junior Ballet; Michail Jurowski; Christian Schmidt; Emma Ryott; Philharmonia Zürich

BernPaul Klee

Paul Klee © Gregory Batardon
Various, de Veer
Mattia Russo; Antonio de Rosa; Etienne Béchard; Tanzcompagnie Konzert Theater Bern; Till Kuhnert; Catherine Voeffray; Hanspeter Liechti; Winston Ricardo Arnon

BarcelonaIT Dansa - Youth company of the Institut del Teatre

IT Dansa - Youth company of the Institut del Teatre
Sawhney, Various
Akram Khan; Israel Galván; Alexander Ekman; IT Dansa

BergenCarte Blanche: Echo Flux

Rivas, Axelrod
Alban Richard; Ayelen Parolin; Carte Blanche

AmsterdamSwan Lake

Maia Makhateli, Daniel Camargo and ensemble in Swan Lake © Marc Haegeman
Tchaikovsky: Swan Lake
Marius Petipa; Lev Ivanov; Rudi van Dantzig; Toer van Schayk; Dutch National Ballet; Boris Gruzin; Andrew Mogrelia

ViennaWiener Staatsballett in der Volksoper: Peter Pan

Various: Peter Pan
Vesna Orlic; Vienna State Ballet; Wolfram-Maria Märtig; Alexandra Burgstaller; Orchestra of the Vienna Volksoper
Latest reviewsSee more...

Masters of Choreography: Beats on Pointe

Beats on Pointe © Masters of Choreography
A pacy extravaganza of hi-energy dance and humour at the Peacock Theatre. 
***11
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Ratmansky triple bill celebrates ten years with ABT

Summer from The Seasons © Marty Sohl
The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.
****1
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Kansas City Ballet's season closes with triple bill

Danielle Bausinger and Company Dancers | A Play for Love © Ali Fleming
Company and World Premieres to round out KC'S ballet season
****1
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Rouge blows the cobwebs away in Rambert's triple bill

Guillaume Quéau in Rouge © Johan Persson
A new manifesto for Rambert under new management of Benoit Swan Pouffer. 
***11
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Ratmansky's Harlequinade reconstruction already showing its age

Isabella Boylston and James Whiteside in Harlequinade © Rosalie O’Connor
Harlequinade shows Ratmansky's usual scrupulous care when reconstructing Petipa's ballets. His attention to detail and obvious love for the art form are to be admired. But these ballets are also living, breathing works and they need strong performances to be viable in the repertory.
***11
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NYCB's eclectic program worth the three hours

Harrison Ball in Balanchine’s Stars and Stripes © Erin Baiano
The ending of Stars and Stripesis a sure-fire applause machine. The lowering of the flag while all the regiments march and salute onstage is so corny that only Balanchine could have choreographed it with a straight face. And yet it worked in 1958 and it works in 2019. 
*****
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