Dance on tap
Ratmansky triple bill celebrates ten years with ABT
© Marty Sohl
A bad hair day for Sidi Larbi Cherkaoui's Medusa at the Royal Ballet
© ROH | Tristram Kenton
San Francisco Ballet’s Shostakovich Trilogy brings a strong close to the season
© Erik Tomasson
Konzert Theater Bern: Paul Klee’s dynamism depicted through dance
© Gregory Batardon
Recent reviews
Ballet ABC
| Marie Taglioni in La Sylphide, 1832 |
© Wikicommons
Upcoming eventsSee more...
ViennaWiener Staatsballett in der Volksoper: Peter Pan
Various: Peter Pan
Vesna Orlic; Vienna State Ballet; Wolfram-Maria Märtig; Alexandra Burgstaller; Orchestra of the Vienna Volksoper
New York CitySymphonic and Electronic
Sousa, Rodgers, Gottschalk, Deacon
George Balanchine; Justin Peck; New York City Ballet
LilleThe Six Brandenburg Concertos
Bach: The six Brandenburg Concertos
B'Rock Orchestra; Amandine Beyer; Rosas; Anne Teresa De Keersmaeker
ZürichRomeo and Juliet
Prokofiev: Romeo and Juliet
Christian Spuck; Ballett Zürich; Zurich Junior Ballet; Michail Jurowski; Christian Schmidt; Emma Ryott; Philharmonia Zürich
BernPaul Klee
Various, de Veer
Mattia Russo; Antonio de Rosa; Etienne Béchard; Tanzcompagnie Konzert Theater Bern; Till Kuhnert; Catherine Voeffray; Hanspeter Liechti; Winston Ricardo Arnon
Latest reviewsSee more...
Masters of Choreography: Beats on Pointe
A pacy extravaganza of hi-energy dance and humour at the Peacock Theatre.
Ratmansky triple bill celebrates ten years with ABT
The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.
Kansas City Ballet's season closes with triple bill
Company and World Premieres to round out KC'S ballet season
Rouge blows the cobwebs away in Rambert's triple bill
A new manifesto for Rambert under new management of Benoit Swan Pouffer.
Ratmansky's Harlequinade reconstruction already showing its age
Harlequinade shows Ratmansky's usual scrupulous care when reconstructing Petipa's ballets. His attention to detail and obvious love for the art form are to be admired. But these ballets are also living, breathing works and they need strong performances to be viable in the repertory.
NYCB's eclectic program worth the three hours
The ending of Stars and Stripesis a sure-fire applause machine. The lowering of the flag while all the regiments march and salute onstage is so corny that only Balanchine could have choreographed it with a straight face. And yet it worked in 1958 and it works in 2019.
