April Fools Day always brings its fair share of musical pranks – who can forget King’s College Choir in 2014 announcing the employment of helium to help hit those high notes. Classical composers have long enjoyed playing jokes on their audiences. Papa Haydn was the joker in chief, so you won’t be surprised that he crops up a few times in our playlist. But composers themselves have been subject to parody and playfulness too. I hope this selection raises a few smiles.
1Haydn: Symphony no. 94 in G major, “Surprise”
Joseph Haydn enjoyed playing tricks on his audiences. The “surprise” in the slow movement of his Symphony no. 94 was designed to catch out those gentlemen who were, perhaps, nodding off after an ample supper. Think you know what’s coming? Watch out!
2Arnold: A Grand Grand Overture
Malcolm Arnold’s Grand Grand Overture – even the title amuses – was composed for the Hoffnung Concerts held in the Royal Festival Hall. It parodies 19th-century overtures and is scored for full symphony orchestra plus three vacuum cleaners, a floor polisher and four rifles! The coda is insanely drawn out.
3Dudley Moore: Little Miss Britten
Dudley Moore was not only a great comedian, but a very talented pianist. Here, his parody of Britten’s writing – and Peter Pears’ vocalism – is extremely sharp, though done with much affection.
4Haydn: Symphony no. 60 in C major, “Il distratto”
The energetic finale of Haydn’s Il distratto features an early discordant flourish which causes the violins to frantically retune.
5Saint-Saëns: Tortoises