On the last day of the George Enescu Festival in Bucharest, two remarkable musicians offered an enthusiastic public an afternoon of late 19th-century music either composed by Johannes Brahms or marked by his shadow.
The performance started with a fiery rendition of the Scherzo that the 20-year-old Brahms composed as part of sonata commissioned by Robert Schumann and meant to be a gift for the great violinist Joseph Joachim. Also known as the F-A-E Sonata, from the initials of Joachim’s adopted motto “Frei Aber Einsam” (Free but lonely), the collaboration between Schumann, his pupil Albert Dietrich and Brahms didn’t withstand the test of time too well, but the latter’s contribution is a standard piece of the repertoire. Vengerov and Papian’s approach to the music was a purely virtuosic one, to the delight of the public filling the Athenaeum.
Things changed though with the next piece, Enescu’s Second Sonata, another work written by a very young composer trying to find his personal voice. Diametrically opposed to the much more popular Third Sonata, with its “popular Romanian character”, the Sonata in F minor is almost totally devoid of transformed folk tunes. The sound is Brahmsian but also French, inspired by the suppleness permeating the work of Gabriel Fauré, Enescu’s teacher at the time at the Paris Conservatoire. Instead of focusing on showing off their technical skills, as they did in Brahms’ Scherzo, the two soloists emphasized instead the work’s extraordinary unity, the way in which the sinuous and rhythmically fluid theme that opens the first movement is transformed throughout the entire work in ways that enhance harmonical ambiguities or alter intervals between notes.
Returning to Brahms, Vengerov and Papian approached the Third Sonata, a late opus, in four rather than three movements, with an unexpected Romantic warmth and lush lyricism palpable especially in the D major Adagio. Vengerov extracted a wide range of timbres from his Stradivarius and Papian’s support was unwavering throughout. The overall restraint made the occasional outburst seem even more pregnant.