La Traviata, a new translation

Este programa ha pasado

Upstairs at the GatehouseHighgate Village, Londres, Greater London, N6 4BD, Reino Unido

Fechas/horas en zona horaria de London

Programa

Verdi, Giuseppe (1813-1901)

La traviata (a new translation by Kit Hesketh-Harvey)

Libreto de Francesco Maria Piave

Intérpretes

Merry Opera Company
Stephen Hose	Dirección
Kit Hesketh-Harvey	Dirección de escena
Nicholas Allen	Violonchelo
Neil McTaggart	Violín
Mark Chivers	Viola
Niall Webb	Clarinete
Paloma Bruce	Soprano		2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03
Joe Morgan	Tenor	Alfredo Germont
Anna Jeruc-Kopec	Soprano	Violetta Valéry
Oliver Brignall	Tenor	Gastone de Letorières
Marcin Gesla	Bajo	Baron Douphol
Gemma Morsley	Mezzosoprano	Flora Bervoix
Stephen Svanholm	Barítono	Giorgio Germont
Robin Bailey	Tenor	Alfredo Germont	2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03
Claire Egan	Soprano	Violetta Valéry	2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03
Kristin Finnigan	Mezzosoprano	Flora Bervoix	2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03
Marcin Kopec	Bajo	Baron Douphol	2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03
Matthew Quirk	Barítono	Giorgio Germont	2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03
Glenn Tweedie	Tenor	Gastone de Letorières	2012 feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mar 01, 02, 03

Mapa

Ver La traviata en

Praga, República Checa Rouen, Francia Nürnberg, Alemania Múnich, Alemania Vilnius, Lituania Hamburg, Alemania

Upstairs at the Gatehouse: A Very New Traviata

Paul Kilbey, 9th February

They say that Violetta in La Traviata is one of opera's hardest soprano parts. Violetta changes character completely over the opera's three acts – all the way from voracious party girl to delicate, dying consumptive – and the singer must be in complete control of the role to make this work. The musical part, of course, is hardly easy either.

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