La Traviata, a new translation

Diese Veranstaltung fand in der Vergangenheit statt

Upstairs at the GatehouseHighgate Village, London, Greater London, N6 4BD, Vereinigtes Königreich

Datum/Zeit in London Zeitzone

Programm

Verdi, Giuseppe (1813-1901)

La traviata (a new translation by Kit Hesketh-Harvey)

Libretto von Francesco Maria Piave

Darsteller

Merry Opera Company
Stephen Hose	Musikalische Leitung
Kit Hesketh-Harvey	Regie
Nicholas Allen	Cello
Neil McTaggart	Violine
Mark Chivers	Viola
Niall Webb	Klarinette
Paloma Bruce	Sopran		2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03
Joe Morgan	Tenor	Alfredo Germont
Anna Jeruc-Kopec	Sopran	Violetta Valéry
Oliver Brignall	Tenor	Gastone de Letorières
Marcin Gesla	Bass	Baron Douphol
Gemma Morsley	Mezzosopran	Flora Bervoix
Stephen Svanholm	Bariton	Giorgio Germont
Robin Bailey	Tenor	Alfredo Germont	2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03
Claire Egan	Sopran	Violetta Valéry	2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03
Kristin Finnigan	Mezzosopran	Flora Bervoix	2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03
Marcin Kopec	Bass	Baron Douphol	2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03
Matthew Quirk	Bariton	Giorgio Germont	2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03
Glenn Tweedie	Tenor	Gastone de Letorières	2012 Feb 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, Mär 01, 02, 03

Plan

La traviata sehen in

Prague, Tschechien Rouen, Frankreich Nürnberg, Deutschland München, Deutschland Vilnius, Litauen Hamburg, Deutschland

Upstairs at the Gatehouse: A Very New Traviata

Paul Kilbey, 9th February

They say that Violetta in La Traviata is one of opera's hardest soprano parts. Violetta changes character completely over the opera's three acts – all the way from voracious party girl to delicate, dying consumptive – and the singer must be in complete control of the role to make this work. The musical part, of course, is hardly easy either.

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