La Traviata, a new translation

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Upstairs at the GatehouseHighgate Village, Londres, Greater London, N6 4BD, Royaume-uni

Dates/horaires selon le fuseau horaire de London

Programme

Verdi, Giuseppe (1813-1901)

La traviata (a new translation by Kit Hesketh-Harvey)

Livret de Francesco Maria Piave

Artistes

Merry Opera Company
Stephen Hose	Direction
Kit Hesketh-Harvey	Mise en scène
Nicholas Allen	Violoncelle
Neil McTaggart	Violon
Mark Chivers	Alto
Niall Webb	Clarinette
Paloma Bruce	Soprano		2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03
Joe Morgan	Ténor	Alfredo Germont
Anna Jeruc-Kopec	Soprano	Violetta Valéry
Oliver Brignall	Ténor	Gastone de Letorières
Marcin Gesla	Basse	Baron Douphol
Gemma Morsley	Mezzo-soprano	Flora Bervoix
Stephen Svanholm	Baryton	Giorgio Germont
Robin Bailey	Ténor	Alfredo Germont	2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03
Claire Egan	Soprano	Violetta Valéry	2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03
Kristin Finnigan	Mezzo-soprano	Flora Bervoix	2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03
Marcin Kopec	Basse	Baron Douphol	2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03
Matthew Quirk	Baryton	Giorgio Germont	2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03
Glenn Tweedie	Ténor	Gastone de Letorières	2012 févr. 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25, 26, 28, 29, mars 01, 02, 03

Plan

Voir La traviata à

Prague, République tchèque Rouen, France Nürnberg, Allemagne München, Allemagne Vilnius, Lituanie Hamburg, Allemagne

Upstairs at the Gatehouse: A Very New Traviata

Paul Kilbey, 9th February

They say that Violetta in La Traviata is one of opera's hardest soprano parts. Violetta changes character completely over the opera's three acts – all the way from voracious party girl to delicate, dying consumptive – and the singer must be in complete control of the role to make this work. The musical part, of course, is hardly easy either.

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