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A dark and dingy Don Giovanni from ETO
Wonderful singing and playing liven up a slightly lifeless staging of Mozart's turbulent masterpiece.
Upstairs at the Gatehouse: A Very New Traviata
They say that Violetta in La Traviata is one of opera's hardest soprano parts. Violetta changes character completely over the opera's three acts – all the way from voracious party girl to delicate, dying consumptive – and the singer must be in complete control of the role to make this work. The musical part, of course, is hardly easy either.