| Mozart, Wolfgang Amadeus (1756-1791) | Les Noces de Figaro (Le nozze di Figaro) | Livret de Lorenzo Da Ponte |
| Royal Academy Opera | |||
| Dame Jane Glover | Direction | ||
| Dame Janet Suzman | Mise en scène | ||
| Fotini Dimou | Décors | ||
| Jake Wiltshire | Lumières | ||
| Royal Academy Sinfonia | |||
| Henry Neill | Baryton | le Comte Almaviva | 2015 oct. 30, nov. 01 |
| Haobin Wang | Baryton | le Comte Almaviva | 2015 oct. 31, nov. 02 |
| Emily Garland | Soprano | la Comtesse Almaviva | 2015 oct. 30, nov. 01 |
| Eve Daniell | Soprano | la Comtesse Almaviva | 2015 oct. 31, nov. 02 |
| Božidar Smiljanić | Basse | Figaro | 2015 oct. 30, nov. 01 |
| Richard Walshe | Basse | Figaro | 2015 oct. 31, nov. 02 |
| Charlotte Schoeters | Soprano | Suzanne (Susanna) | 2015 oct. 30, nov. 01 |
| Nika Gorič | Soprano | Suzanne (Susanna) | 2015 oct. 31, nov. 02 |
| Katherine Aitken | Mezzo-soprano | Chérubin (Cherubino) | 2015 oct. 30, nov. 01 |
| Laura Zigmintaitė | Mezzo-soprano | Chérubin (Cherubino) | 2015 oct. 31, nov. 02 |
| Timothy Murphy | Basse | le docteur Bartolo | 2015 oct. 30, nov. 01 |
| Robert Garland | Basse | le docteur Bartolo | 2015 oct. 31, nov. 02 |
| Claire Barnett-Jones | Mezzo-soprano | Marceline (Marcellina) | 2015 oct. 30, nov. 01 |
| Helen Brackenbury | Mezzo-soprano | Marceline (Marcellina) | 2015 oct. 31, nov. 02 |
| Lorena Paz Nieto | Soprano | Barberine (Barbarina) | 2015 oct. 30, nov. 01 |
| Alys Mererid Roberts | Soprano | Barberine (Barbarina) | 2015 oct. 31, nov. 02 |
| John Porter | Ténor | Don Basilio | 2015 oct. 30, nov. 01 |
| William Blake | Ténor | Don Basilio | 2015 oct. 31, nov. 02 |
| Mikhail Shepelenko | Ténor | Don Curzio | 2015 oct. 30, nov. 01 |
| Joshua Baxter | Ténor | Don Curzio | 2015 oct. 31, nov. 02 |
| Alex Otterburn | Baryton | Antonio | 2015 oct. 30, nov. 01 |
| Dominic Bowe | Baryton | Antonio | 2015 oct. 31, nov. 02 |
You can listen to the next generation of classical musicians at the Royal Academy of Music’ (Sunday Times), and now the opera stars of the future go to Hackney Empire to present Le nozze di Figaro, universally heralded as one of Mozart’s greatest masterworks.
‘The Royal Academy of Music's opera can always be looked forward to because it never disappoints… the musical performance is invariably on a high level’
— The Spectator
Performed in Italian with surtitles
Conductor Jane Glover, the Academy’s Director of Opera, is a world authority in Mozart’s life and work.
This is the eagerly anticipated opera direction debut of Dame Janet Suzman, renowned actor and director.