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ManchesterTchaikovsky: Eugene Onegin
Tchaïkovski: Eugène Onéguine
Tim Anderson; Daisy Evans; Royal Northern College of Music; Davide Trolton; Katherine Heath; Jake Wiltshire; Charlie Barker
TallinnOpera: Peter Grimes
Britten: Peter Grimes
Arvo Volmer; Stephen Barlow; Estonian National Opera; Yannis Thavoris; Jake Wiltshire; Estonian National Opera Orchestra; Estonian National Opera Choir
ChristchurchThe Pearl FishersNouvelle production
Bizet: Les Pêcheurs de perles
Stephen Barlow; New Zealand Opera; Yannis Thavoris; Jake Wiltshire; Christchurch Symphony Orchestra
GlasgowAlcinaNouvelle production
Haendel: Alcina
Dmitri Jurowski; Olivia Fuchs; Scottish Opera; Yannis Thavoris; Jake Wiltshire; The Orchestra of Scottish Opera
GlasgowFidelioNouvelle production
Beethoven: Fidelio
Kensho Watanabe; Ruth Knight; Scottish Opera; Yannis Thavoris; Alisa Kalyanova; Jake Wiltshire; The Orchestra of Scottish Opera
EdimbourgAlcinaNouvelle production
Haendel: Alcina
Dmitri Jurowski; Olivia Fuchs; Scottish Opera; Yannis Thavoris; Jake Wiltshire; The Orchestra of Scottish Opera
Critiques récentesEn voir plus...
Le ravissement de Semele à Londres
À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.
The White Pearl: NZ Opera reframes Bizet’s Les Pêcheurs de Perles
In Auckland, heard in something close to the form Bizet actually conceived, The Pearl Fishers proves it has plenty of lustre of its own.
Fun, if not quite fizzy: Liam Steel’s Opera Holland Park Fledermaus
It's New Year’s Eve 1929-style, but the Champagne is a touch warm in OHP's first production of Strauss’ most popular operetta, Die Fledermaus.
Opening the doors of memory: a haunting Bluebeard’s Castle in Auckland
In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.
The Royal Academy's Carmen has too many what-if moments
Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.
Opera North’s Susanna: how a woman stood up to her abusers
Handel's oratorio is staged by Olivia Fuchs and conducted by Johanna Soller in Opera North's latest successful collaboration with Phoenix Dance Theatre.
Articles récents
Enhancing opera's emotional core: Jake Wiltshire on lighting design
We spoke about the job of lighting designer with Jake Wiltshire, who lights productions for English National Opera, Welsh National Opera, the Royal Academy Opera and many more.