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Artiste: Royal Academy Opera

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Le ravissement de Semele à Londres

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

The Royal Academy's Carmen has too many what-if moments

Fionn Ó hAlmhain (Zuniga) and Zixin Tang (Carmen) © Craig Fuller
Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing. 

Royal Academy Opera stages a magical Zauberflöte

Binny Supin Yang (Queen of the Night) © Craig Fuller
A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall. 

A dystopian Hansel und Gretel at the RAM

Anna-Helena Maclachlan (Hansel) and Binny Supin Yang (Gretel) © Craig Fuller
Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera. 

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Royal Academy Opera company in Martinů’s Alexandre bis (1937) © Craig Fuller
With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

Unreal city: The Rake's Progress at the Royal Academy of Music

The Rake's Progress © Craig Fuller
Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.