En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Mikhail Shepelenko

Brecht and Weill's tirade against Big Money is exceptionally well acted throughout; vocal and musical performances are more mixed.

“Folies Bergère does Greek gods” is how director Martin Duncan describes Offenbach's Orphée aux enfers, and his production for Royal Academy Opera is enormous fun. 

A welcome revival of a Russian rarity from the student forces of the Royal Academy of Music.

A polished production of The Marriage of Figaro from some of the potential opera stars of the future.