Diese Veranstaltung fand in der Vergangenheit statt
Wigmore Hall36 Wigmore Street, London, Greater London, W1U 2BP, Vereinigtes Königreich
Datum/Zeit in London Zeitzone
Programm
Alberti, Innocentio (1535-1615) | Pavin of Albarti, Galliard | |
Tye, Christopher (1505-1573) | In Nomine "Crye" | |
Parsons, Robert (1535-1572) | The song called trumpets | |
Attaingnant, Pierre (1494-1552) | Pavane de la Guerre | |
Gibbons, Orlando (1583-1625) | In Nomine a 5 no. 1 | |
Dowland, John (1563-1626) | Semper Dowland semper Dolens | |
Dowland, John (1563-1626) | The King of Denmark's Galliard | |
Trabaci, Giovanni Maria (1575-1647) | Durezze e ligature (Toccata) | |
Guami, Gioseffo (1540-1611) | Canzon a 4 sopra "La Battaglia" | |
Holborne, Anthony (1545-1602) | Galliard no. 24 | |
Woodcock, Clement (c1540-1590) | Browning my dear | |
Ward, John (1571-1638) | Fantasia no. 4 | |
Anonymous | Pavane de la petite Guerre & Gaillarde | |
Anonymous | Bourrée d’Avignonez | |
Brade, William (1560-1630) | Turkische Intrada | |
Ferrabosco I, Alfonso (1543-1588) | Fantasia a 6 no. 78 | |
Brade, William (1560-1630) | Galliard a 6 | |
Jenkins, John (1592-1678) | The Bell Pavan | |
Heredia, Sebastian Aguilera de (1561-1627) | Tiento de Batalla | |
Scheidt, Samuel (1587-1654) | Galliard Battaglia, SSWV59 | |
Lawes, William (1602-1645) | Consort Sett a 5 in C major, no. 5 (Paven) | |
Charpentier, Marc-Antoine (1643-1704) | Suite in D Minor, H.545 (Passecaille) | |
Purcell, Henry (1659-1695) | Fantasy upon One Note for 5 viols in F major, Z 745 | |
Bach, Johann Sebastian (1685-1750) | Die Kunst der Fuge, BWV1080, Contrapunctus I | |
Bach, Johann Sebastian (1685-1750) | Die Kunst der Fuge, BWV1080, Contrapunctus IX | |
Cabanilles, Juan Bautista (1644-1712) | Corrente Italiana | |
Martínez Burgos, Manuel (b. 1970) | Codex (Tonada del Chimo) | |
Martínez Burgos, Manuel (b. 1970) | Codex (Cachua Serranita) | |
A legendary figure in the establishment and development of the Early Music movement, Jordi Savall has contributed as much as any individual to the current popularity of works from the distant past. He brings with him the ensemble he founded 50 years ago, and which retains the sheer vitality and explorative excellence that has marked his entire career. The programme celebrates a tradition of consort music that lasted for two centuries and traversed many countries – with English composers notable for their prominence.
Tickets: £50 £42 £32 £26 £18
General sale opens on Tuesday 30 April at 10.00am