| Stravinsky, Igor (1882-1971) | Oedipus Rex | Livret de Jean Cocteau, based on Sophocles' Oedipus Rex |
| Stravinsky, Igor (1882-1971) | Symphonie de Psaumes |
| Esa-Pekka Salonen | Direction | |
| Peter Sellars | Mise en scène | |
| Philharmonia Orchestra | ||
| Ladies of the Gustaf Sjökvists Kammarkör | ||
| Ladies of the Sofia Vokalensemble | ||
| Emily Barber | Récitant | |
| Laurel Jenkins | Danse | |
| Katarina Dalayman | Soprano | Jocasta |
| Joseph Kaiser | Ténor | Oedipus |
| Joshua Stewart | Ténor | Shepherd |
| Sir Willard White | Baryton-basse | Creon, Messenger, Tiresias |
£42 £33 £27 £22 £17 £14 £11
Monumental. Formal. Stylised. To a text by Cocteau derived from Sophocles and translated back into Latin, Stravinsky's Oedipus rex is a chilling retelling of the tragic myth. Presented here in a semi-staged production from director Peter Sellars, Oedipus rexis a work that abandons sentiment, it confronts the spectator with the true horror of the 'infernal machine' of fate. The Latin Psalms, too, seemingly so ancient, so distant, speak here of the tragedy of exile through a music of electrifying austerity and intensity.
In co-production with Festival d’Aix-en-Provence