En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Katarina Dalayman

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*****

Madrid

31 janv. 2025

La seducción y el deseo: Eugene Onegin en el Teatro Real

Par Juan José Freijo

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Glyndebourne

Barrie Kosky delivers a devastating Carmélites at Glyndebourne

Par Dominic Lowe, 10 juin 2023

Brought to life by some sensational singing from a strong cast, Kosky's staging delivers repeated emotional punches.

*****

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*****

Glyndebourne

10 juin 2023

Barrie Kosky delivers a devastating Carmélites at Glyndebourne

Par Dominic Lowe

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Rattle and the LSO chill the soul in Kátya Kabanová

Par Mark Valencia, 11 janvier 2023

Amanda Majeski reprises her peerless Kátya, but Katarina Dalayman's flint-like characterisation as Kabanicha strikes the most sparks.

****1

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****1

Londres

11 janv. 2023

Rattle and the LSO chill the soul in Kátya Kabanová

Par Mark Valencia

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Malin Byström and Alexander Soddy lead superb Salome revival at the Royal Opera House

Par Roy Westbrook, 09 septembre 2022

Swedish soprano Malin Byström returns to Sir David McVicar's production at Covent Garden, where she is now probably unsurpassed in the role, vocally and histrionically.

*****

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*****

Londres

09 sept. 2022

Byström and Soddy lead superb Salome revival at the ROH

Par Roy Westbrook

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Edimbourg

Salome stoked to red heat by Byström, Gardner and the Bergen Philharmonic in Edinburgh

Par David Smythe, 14 août 2022

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome.

*****

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*****

Edimbourg

14 août 2022

Salome stoked to red heat by Byström and the Bergen Philharmonic

Par David Smythe

Glyndebourne

In the bleak midsummer: Damiano Michieletto's Kátya Kabanová at Glyndebourne

Par David Karlin, 20 mai 2021

Glyndebourne's 2021 season opens with an intense, minimalist staging of Janáček’s tale of adultery, focused on the contrasts between its heroine's dreams and reality.

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Glyndebourne

20 mai 2021

In the bleak midsummer: Kátya Kabanová at Glyndebourne

Par David Karlin

Madrid

Ni luna llena, ni nueva: Rusalka en el Real

Par Ramón del Buey Cañas, 14 novembre 2020

Una nueva producción de la mano Christof Loy lleva a Rusalka al Teatro Real con un magnífico elenco encabezado por la soprano Asmik Grigorian.

***11

***11

Madrid

14 nov. 2020

Ni luna llena, ni nueva: Rusalka en el Real

Par Ramón del Buey Cañas

Total Immersion: A deep dive into the work of Nadia and Lili Boulanger

Par Timmy Fisher, 06 avril 2019

James Gaffigan and the BBC Symphony Orchestra and Chorus provide the climax to a worthy day of discovery at the Barbican.

****1

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Londres

06 avril 2019

A deep dive into the work of Nadia and Lili Boulanger

Par Timmy Fisher

Melbourne

A compelling Parsifal from Victorian Opera in Melbourne

Par Brian Angus, 20 février 2019

The Australian Youth Orchestra was full of poise and maturity and all the singing was impressive in Roger Hodgman's production.

*****

*****

Melbourne

20 févr. 2019

A compelling Parsifal from Victorian Opera in Melbourne

Par Brian Angus

Cavanagh's undercooked Aida returns to the Royal Swedish Opera with a new cast

Par Laura Servidei, 27 octobre 2018

Carè, Katzarava and Treichl give committed performances in a reprise of Cavanagh’s production.

**111

**111

Stockholm

27 oct. 2018

Aida returns to the Royal Swedish Opera with a new cast

Par Laura Servidei

Great debut for Christina Nilsson as Aida in Stockholm

Par Laura Servidei, 26 février 2018

The remarkable performance of young soprano Christina Nilsson does not completely rescue a mixed-bag cast and a lack of Personenregie at the Stockholm Royal Opera.

**111

**111

Stockholm

26 févr. 2018

Great Aida debut for Christina Nilsson

Par Laura Servidei

Iréne Theorin triumphs as Elektra in Stockholm

Par Laura Servidei, 10 janvier 2018

A quasi-concertante setting highlights Theorin's masterful performance as Elektra, Cornelia Beskow's fragile, human Chrysothemis and Katarina Dalayman's haunting Klytaemnestra.

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Stockholm

10 janv. 2018

Iréne Theorin triumphs as Elektra in Stockholm

Par Laura Servidei

Ragnarök: the long twilight of the Stockholm Ring

Par John Johnston, 29 mai 2017

Ragnarök: the Swedish title for Götterdämmerung resonates with Old Norse folk memories of universal inundation and overthow of the order of the gods.

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Stockholm

29 mai 2017

Ragnarök: the long twilight of the Stockholm Ring

Par John Johnston

An outstanding Swedish Sieglinde in a strongly cast Walküre in Stockholm

Par John Johnston, 25 mai 2017

Stemme as Brünnhilde delivered her opening battle cry in Victorian riding habit like one of Trollope's racier fox- hunting heroines.

*****

*****

Stockholm

25 mai 2017

An outstanding Swedish Sieglinde in Stockholm

Par John Johnston

A highly accomplished start to Stockholm's Ring

Par John Johnston, 24 mai 2017

John Lundgren, bullet-headed, youthful and overbearing, gave a world-class performance as Wotan.

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Stockholm

24 mai 2017

A highly accomplished start to Stockholm's Ring

Par John Johnston

The Met's new Rusalka: a missed opportunity but with great musical values

Par Ako Imamura, 09 février 2017

The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.

***11

***11

New York

09 févr. 2017

A missed opportunity but with great musical values

Par Ako Imamura

Magnificent climax to the Philharmonia Stravinsky series

Par David Truslove, 29 septembre 2016

Searing performances from a mixed cast, superb choir and orchestra; all brilliantly conducted by Esa-Pekka Salonen.

****1

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Londres

29 sept. 2016

Magnificent climax to the Philharmonia Stravinsky series

Par David Truslove

Cleveland

A darkly dramatic Bartók double bill in Cleveland

Par Timothy Robson, 07 avril 2016

The Cleveland Orchestra and Joffrey Ballet team up for staged performances of Bartók's The Miraculous Mandarin and Bluebeard's Castle.

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Cleveland

07 avril 2016

A darkly dramatic Bartók double bill in Cleveland

Par Timothy Robson

Amsterdam

A miraculous Lohengrin at the Concertgebouw

Par Nicolas Nguyen, 18 décembre 2015

Sir Mark Elder led the Royal Concertgebouw Orchestra and an inspired team of soloists headed by Klaus Florian Vogt into a highly-charged performance of Lohengrin.

*****

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Amsterdam

18 déc. 2015

A miraculous Lohengrin at the Concertgebouw

Par Nicolas Nguyen

Paris

Esa-Pekka Salonen dirige de somptueux et lumineux Gurrelieder

Par Gilles Lesur, 14 mars 2014

Les occasions d’entendre les Gurrelieder d’Arnold Schönberg ne sont pas si fréquentes.

*****

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Paris

14 mars 2014

Esa-Pekka Salonen s'illustre dans les Gurrelieder

Par Gilles Lesur

Christof Loy's Parsifal at the Royal Swedish Opera

Par Aksel Tollåli, 05 octobre 2013

German director Christof Loy’s second production for the Royal Swedish opera was of Wagner’s Parsifal. The cast is rather on the luxurious side as well, sporting three of the greatest Wagner singers working today – two of them Swedish, no less!Loy’s Parsifal is a distinctly human drama.

*****

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Stockholm

05 oct. 2013

Christof Loy's Parsifal at the Royal Swedish Opera

Par Aksel Tollåli

Prom 57: The Hallé's heavenly Parsifal

Par Andrew H. King, 25 août 2013

Celebrating the Wagner centenary in 1913, the Hallé Orchestra gave a concert performance in Manchester of Acts II and III from Wagner’s epic final masterpiece Parsifal.

*****

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Londres

25 août 2013

Prom 57: The Hallé's heavenly Parsifal

Par Andrew H. King

Götterdämmerung at the Met

Par Meg Wilhoite, 02 mai 2013

The word Götterdämmerung contextually translated becomes “twilight of the gods”, and Thursday night’s story at the Met was indeed full of endings: the conclusion of the saga of the ring and the end of several lives, human and god alike.

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New York

02 mai 2013

The Met: Götterdämmerung

Par Meg Wilhoite

Flashes of brilliance in the Met's Siegfried

Par David Karlin, 29 avril 2013

All things considered, this Met Siegfried was a mixed affair. There was much to enjoy and much to marvel at; there were times where the performance felt as if it might achieve real lift-off, but it never quite achieved the sustained momentum of Friday's Walküre.

***11

***11

New York

29 avril 2013

The Met: Siegfried

Par David Karlin

Die Walküre at the Met

Par David Karlin, 26 avril 2013

In last night’s performance of Die Walküre at the Met, Martina Serafin as Sieglinde and Simon O’Neill as Siegmund drew us completely into the process of two people falling into illicit love.

*****

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New York

26 avril 2013

The Met: Die Walküre

Par David Karlin

The music redeems unanswered questions in the Met's beautiful new Parsifal

Par David Allen, 15 février 2013

Before the music in the Metropolitan Opera’s new Parsifal starts, a black but reflective curtain drapes the front of the stage. It is dim enough not quite to show the audience, but it picks out the chandeliers.

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