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L’époustouflant Oedipus Rex de Peter Sellars
S’il fallait choisir parmi toutes les belles idées de mise en scène de ce très réussi Oedipus Rex, on s’accorderait sans doute sur celle-ci : la primauté incontestée de l’esthétique et des intentions de Stravinski.
Kitschy, bombastic, virtuosic: the LA Phil and Dudamel’s Mahler 8
Mahler's Eighth was the composer’s “gift to the nation”; Dudamel’s performance was a gift to Los Angeles.
A pale Rheingold begins Teatro Real's revival of Carsen’s Ring
Carsen's scaled-down Ring makes a timely comeback with a melancholy message of decay.
Robert Carsen's Eugene Onegin ages gracefully at COC
Robert Carsen's Eugene Onegin was binned by the Met but works wonderfully in its revival by the Canadian Opera Company COC with high class singing and acting from a young, engaging cast.
Minimalistic new production of Idomeneo in Zurich
In Jetske Mijnssen’s new production of Idomeneo, all order of human entanglements, sorrows and pain run rampant.
Adès' riveting The Exterminating Angel
Adès opera resists explanation, and the ambiguity of the story drives much of its compelling nature.