On Sunday I was in attendance for the Metropolitan Opera National Council Auditions Grand Finals concert. There were nine singers in this final round of competition, each of whom presented one aria before intermission and one after. I like this plan; one is able to hear them all and form initial impressions, and hear each again later to refine those impressions. The judges then made their collective decision, and five winners were announced immediately. I'm happy to say that all nine of the finalists were good singers, and no one seemed to be having an off day vocally or a bad case of nerves. They ranged in age from 22 to 30, and while some showed their inexperience more than others, there was not a single performer I would opt out of hearing again. Given the high level of the field of nine finalists, it was difficult for any of them to stand out.
I had three favorites, each of whom was among the five winners. Baritone Reginald Smith, Jr. was the singer who excited me the most. From the very beginning of his first aria, Ford's dream from Falstaff, I knew this young man would be a winner – if not in the competition, then certainly in the opera world at large. His is a large, robust baritone voice, one I look forward to hearing sing Rigoletto and Scarpia in coming years. His stage presence and his acting were second to none in this group of finalists. Mr Smith's second aria, “Oh Lawd Jesus, heah my prayer” from Gruenberg's The Emperor Jones, only made me more adamant in my admiration and my opinion this is a young man with a future.
Marina Costa-Jackson was another favorite, singing an aria from The Queen of Spades in the first half and “Si, mi chiamano Mimì” in the second. Hers is a luscious, warm sound, with no strain or shrillness at the top. Hers also is a warm, expressive manner, perfectly appropriate to the roles she sings, which include both Mimì and Musetta, Lisa in the The Queen of Spades, and Marguerite in Faust. (I should also mention that her dress was my favorite of any dress on stage.) Joseph Dennis, the only tenor among the nine finalists, sang beautiful performances of “Salut! Demeure chaste et pure” and “Dein ist mein ganzes Herz”. His second aria in particular made me a fan, with his impassioned delivery and clear understanding of every word.